Balmoral Castle, in the Scottish Highlands, was Queen Elizabeth’s preferred resort among her several castles and palaces, and in the opening pages of “Spare” (Random House), the much anticipated, luridly leaked, and compellingly artful autobiography of Prince Harry, the Duke of Sussex, its environs are intimately described. We get the redcoated footman attending the heavy front door; the mackintoshes hanging on hooks; the cream-and-gold wallpaper; and the statue of Queen Victoria, to which Harry and his older brother, William, always bowed when passing. Beyond lay the castle’s fifty bedrooms—including the one known in the brothers’ childhood as the nursery, unequally divided into two. William occupied the larger half, with a double bed and a splendid view; Harry’s portion was more modest, with a bed frame too high for a child to scale, a mattress that sagged in the middle, and crisp bedding that was “pulled tight as a snare drum, so expertly smoothed that you could easily spot the century’s worth of patched holes and tears.”
It was in this bedroom, early in the morning of August 31, 1997, that Harry, aged twelve, was awakened by his father, Charles, then the Prince of Wales, with the terrible news that had already broken across the world: the princes’ mother, Princess Diana, from whom Charles had been divorced a year earlier and estranged long before that, had died in a car crash in Paris. “He was standing at the edge of the bed, looking down,” Harry writes of the moment in which he learned of the loss that would reshape his personality and determine the course of his life. He goes on to describe his father’s appearance with an unusual simile: “His white dressing gown made him seem like a ghost in a play.”
This story is from the January 23, 2023 edition of The New Yorker.
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This story is from the January 23, 2023 edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
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