Jonathan Healey’s “The Blazing World” sees both sectarian strife and galvanizing political ideas amid regicidal conflict.
Amid the pageantry (and the horrible family intrigue) of the approaching coronation, much will be said about the endurance of the British monarchy through the centuries, and perhaps less about how the first King Charles ended his reign: by having his head chopped off in public while the people cheered or gasped. The first modern revolution, the English one that began in the sixteen-forties, which replaced a monarchy with a republican commonwealth, is not exactly at the forefront of our minds. Think of the American Revolution and you see popgun battles and a diorama of eloquent patriots and outwitted redcoats; think of the French Revolution and you see the guillotine and the tricoteuses, but also the Declaration of the Rights of Man. Think of the English Revolution that preceded both by more than a century and you get a confusion of angry Puritans in round hats and likable Cavaliers in feathered ones. Even a debate about nomenclature haunts it: should the struggles, which really spilled over many decades, be called a revolution at all, or were they, rather, a set of civil wars?
This story is from the April 24 - May 01, 2023 (Double Issue) edition of The New Yorker.
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This story is from the April 24 - May 01, 2023 (Double Issue) edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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