
Back in my footloose twenties, I lived for a year in Costa Rica, where I worked at a school in the central highlands and worked even harder, by reluctant necessity, at overcoming my lifelong horror of crawly things. Before the Costa Rican tourism board comes after me, I will say, in defense of that part of the world, that I have never lived anywhere else so ecologically magnificent. Every day, I commuted to work on a trail lined with ferns and bromeliads and the enchanted fortresses of strangler figs, while twotoed sloths lolled overhead and butterflies as big as greeting cards opened their dull-brown wings to reveal a blue as brilliant as the cloak of the Virgin Mary. At night, the moon cast shadows of avocado trees along the dirt roads, and the stars amassed in layers a billion deep. There were volcanoes, there were waterfalls, there were three kinds of monkeys, there was a dry season and a wet season and in between them an entire rainbow season, as if the local weather had been designed by Lisa Frank. On clear days, I would look out over verdant folds of mountains to where the sun glinted off the Pacific Ocean and reckon myself pretty much in paradise.
Still, there is a snake in every garden-though it was not the nation's infamous pit vipers that scared me. Before taking the job, I had not appreciated the biological coördinates of Costa Rica: south of the Tropic of Cancer, north of the Tropic of Capricorn, right in the middle of the Arthropod Zone. Once I got there, however, this fact became appallingly unignorable. My roommates in my new house included ants that looked like "Star Wars" extras, beetles that looked like U.S. Army-issue vehicles, and scorpions that unfortunately looked exactly like scorpions and made themselves at home in my sock drawer.
This story is from the February 17-24, 2025 (Double Issue) edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the February 17-24, 2025 (Double Issue) edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In

THE FRENZY Joyce Carol Oates
Early afternoon, driving south on the Garden State Parkway with the girl beside him.

UPDATED KENNEDY CENTER 2025 SCHEDULE
April 1—A. R. Gurney’s “Love Letters,” with Lauren Boebert and Kid Rock

YOU MAD, BRO?
Young men have gone MAGA. Can the left win them back?

ONWARD AND UPWARD WITH THE ARTS BETTING ON THE FUTURE
Lucy Dacus after boygenius.

STEAL, ADAPT, BORROW
Jonathan Anderson transformed Loewe by radically reinterpreting classic garments. Is Dior next?

JUST BETWEEN US
The pleasures and pitfalls of gossip.

INHERIT THE PLAY
The return of “A Streetcar Named Desire” and “Ghosts.”

LEAVE WITH DESSERT
Graydon Carter’s great magazine age.

INTERIORS
The tyranny of taste in Vincenzo Latronico’s “Perfection.”

Naomi Fry on Jay McInerney's "Chloe's Scene"
As a teen-ager, long before I lived in New York, I felt the city urging me toward it. N.Y.C., with its art and money, its drugs and fashion, its misery and elation—how tough, how grimy, how scary, how glamorous! For me, one of its most potent siren calls was “Chloe’s Scene,” a piece written for this magazine, in 1994, by the novelist Jay McInerney, about the then nineteen-year-old sometime actress, sometime model, and all-around It Girl Chloë Sevigny.