What Brain Science Teaches Us About Painting-PART 2
International Artist|Station Points
James Gurney shares how new insights in visual perception and neuroscience can help us as artists
James Gurney
What Brain Science Teaches Us About Painting-PART 2

What you paint is a reflection of what you notice, and what you notice is a consequence of your conscious and unconscious visual strategies, some learned and some automatic. In the previous issue's article we looked at how images are constructed in the brain, both from the information that comes from the eyes, and from the predictive models handed down from the brain. We considered how vision is different from the camera and whether artists see differently from other people.

Now let's look at how image processing actually happens in the brain, and how we can recruit our eyes and brains to give us what we need to produce a painting.

TONE AND COLOR ARE PROCESSED SEPARATELY

According to Dr. Margaret Livingstone, the visual brain processes luminance (or tonal information) separately from color information. The two streams originate in the retina, which begins with low-level processing such as recognition of edges and contrasts. The information pathways continue to the optical cortex at the back of the brain. Although there is some crossover and interaction, the two streams-luminance and color-are largely kept separate, from the level of the retina all the way to the higher-level vision centers of the brain.

The area of the brain that interprets tone is several inches away from the area that interprets color, making the experience of tone and color distinct physiological experiences, as distinct as sight and hearing. The color stream is also called the ventral stream or the "what" stream. It is more concerned with recognizing and identifying objects. Color processing through the ventral stream is a capacity that is shared only by higher primates, not the bulk of other mammals.

The difference between these two streams may explain why classically trained artists plan their compositions by solving problems of tonal organization separately from the color arrangement.

This story is from the Station Points edition of International Artist.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the Station Points edition of International Artist.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM INTERNATIONAL ARTISTView All
Intrigue in the ordinary
International Artist

Intrigue in the ordinary

I've \"'ve never had any formal training always had a strong attraction to the arts and the practice of painting

time-read
1 min  |
August/September 2023
Paper Textures
International Artist

Paper Textures

John Lovett guides us through the varying properties of different watercolor surfaces

time-read
5 mins  |
August/September 2023
Creating Ambiance
International Artist

Creating Ambiance

Mona Parker Weidner selects colors palettes and light sources that emphasize the mood of her interior scenes

time-read
2 mins  |
August/September 2023
Visual Depth
International Artist

Visual Depth

Blending and smoothing with solvents, Holly Siniscal creates painterly portraits in colored pencil

time-read
2 mins  |
August/September 2023
Sharp Precision
International Artist

Sharp Precision

Working with craft blades and tattoo needles, Conor Smith etches realistic renderings of wildlife

time-read
4 mins  |
August/September 2023
The architecture of water
International Artist

The architecture of water

When Then I moved from Toronto to a tiny community in Nova Scotia, I became fascinated by the ocean, its reflections and endlessly shifting patterns of color and light

time-read
1 min  |
August/September 2023
Saturated World
International Artist

Saturated World

Emphasizing the beauty of nature, Joe A. Oakes paints landscapes with warm colors and imaginative compositions

time-read
2 mins  |
August/September 2023
Pure Bliss
International Artist

Pure Bliss

Working alla prima, Andreas Liss takes on a loose, unbridled approach in his artwork

time-read
2 mins  |
August/September 2023
Sculpting the Paint
International Artist

Sculpting the Paint

Using a palette knife allows oil painter Maria Iva to create clean colors and rich textures

time-read
3 mins  |
August/September 2023
Forwad MOMENTUM
International Artist

Forwad MOMENTUM

Artist Lisa Gleim shares the evolution of her career and how she grew into her preferred medium of pastels

time-read
4 mins  |
August/September 2023