BETWEEN DEATH & DESIRE
Art India|April 2023
Exploring the urgency of our instincts and the darkness in our hearts, T. Venkanna comes up with works that overwhelm, suggests Jasmine Shah Varma.
Jasmine Shah Varma
BETWEEN DEATH & DESIRE

T. Venkanna’s studio is a microcosm of the artist’s mind. There is a wooden table in the right corner for making watercolours, drawings and small-scale works. A pile of brushes in a variety of sizes lies on an adjacent table. A few feet away there is a tall table with longer, wider, bushier brushes and a heap of paint tubes. Taped to the walls are small drawings, prints and some doodles made directly on the walls. Elsewhere, there are rolls of artwork and a printmaking machine. Outside this enclosed space, in the exhibition area, a dozen artisans from Lucknow’s Kalhath Institute are focused, needle in hand, on detailed, embroidered artworks. There is a conspicuous vibe of feverish activity.

This space in Mumbai’s Gallery Maskara has been Venkanna’s temporary studio since 2022. Previously, he has worked out of Baroda, where he completed a Master’s in Printmaking in 2006 at the Faculty of Fine Arts, M. S. University.

This story is from the April 2023 edition of Art India.

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This story is from the April 2023 edition of Art India.

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