Along with photographer Hashim Badani, she styles the Munshi and Gyaoo houses, the home of LAMO, with silk brocades and yak-wool covers spread over their courtyards and terraces, overlooking the spectacular landscape of the high-altitude desert. And in her own words, Ahmed tells us of her everlasting love for textiles.
Travel, diverse cultures, and indigenous textiles have always fascinated me. Especially fabrics that embody a layered history and resonate with the nuances of life, focusing on how people live with their textiles and what they mean to them.
I first came to Ladakh in 1987, with friend Shahnaz Rustomji, and we taught at the Moravian Mission School in Leh; studied Buddhist philosophy and Thangka painting at the Central Institute of Buddhist Studies. A year later I returned when I began my studies in Social Anthropology at Oxford University, first my masters and then doctorate. I had decided to study textiles in Ladakh and wanting to equip myself to better understand the method and technology of weaving, I spent time learning to weave with textile artist Nelly Sethna (AD's September October 2021 issue).
This story is from the July - August 2022 edition of AD Architectural Digest India.
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This story is from the July - August 2022 edition of AD Architectural Digest India.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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D
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