Hello, and Happy New Year! I’m greeting you in October 2021—just before Halloween, in anticipation of Stereophile’s publication deadline—but by the time this magazine arrives in your mailbox, it’ll be after the holidays.If I hadn’t told you, you wouldn’t have known when I wrote this essay— and you still don’t know where I was when I wrote it: my office? In an airplane 36,000 feet up? Similarly, I don’t know where you’ll be when you read it, or when: Maybe in early 2022 in your listening chair; maybe you’ll find it in a box in an attic many years hence and read it then.
I should take a moment to introduce myself. I’m Jim Anderson, recording engineer and producer. I’ve been involved in audio, on the “pro” side, for many years. I say “audio” and not “music” because in addition to music of many genres, I’ve also recorded radio documentaries, film scores— even, I’m proud to say, the Muppets.
This story is from the February 2022 edition of Stereophile.
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This story is from the February 2022 edition of Stereophile.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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