Got Livestream If You Want It
Sound & Vision|April - May 2021
A year into the pandemic, the improved quality of livestream concerts is helping to bridge the gap between artists and their socially distanced fans.
By Mike Mettler
Got Livestream If You Want It

By the time you read this, it will be more than a year since most of us have been to a live concert in a packed venue. The last live show I personally attended took place on March 10, 2020, when I saw Dave Mason (“Feelin’ Alright,” “Only You Know and I Know”) at the Riviera Theatre in North Tonawanda, New York. Little did I know when I walked out of the Riviera following my after-show chat with Mason that it would be the last live gig I’d see until, well, who knows when?

Ever since that initial early-2020 lockdown period, artists have sought to fill the live-experience void in many intriguing and creative ways. One cyber-remote live option that’s matured greatly over the past year—both in terms of visual presentation and sound quality—has been livestream concerts. Initially, artists were finding their virgin livestream footing by treating us to brief, decent-sounding solo performance clips on social media platforms. Then, as many an artist’s handle on homebound technology began ramping up, one-person one-off songs gave way to better-sounding, quarantine-approved multi-performer mini-sets and, eventually, full-on full-set concerts. Performance locales began rotating among living rooms, home studios, professional rehearsal spaces, and, eventually, inside actual known clubs and live venues—albeit sans in-person audiences for the most part, given the stringent capacity regulations still in effect.

This story is from the April - May 2021 edition of Sound & Vision.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the April - May 2021 edition of Sound & Vision.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM SOUND & VISIONView All
Pinnacle Picture Performance
Sound & Vision

Pinnacle Picture Performance

IT IS a small miracle that you can buy a TV as good as the 77-inch Samsung S90C Quantum Dot OLED for $2500.

time-read
10 mins  |
February - March 2024
Worth the Splurge?
Sound & Vision

Worth the Splurge?

AS A RULE I'm not particularly susceptible to the \"audio-jewelry\" school of component design; I'm a value/performance guy.

time-read
9 mins  |
February - March 2024
Sonic Surprise
Sound & Vision

Sonic Surprise

OVER THE YEARS I've reviewed hundreds of audio and video products covering all the usual bases. But not up to now a soundbar.

time-read
10+ mins  |
February - March 2024
When Less is More
Sound & Vision

When Less is More

MY EXPERIENCE with Bowers & Wilkins dates back over thirty years to my high school days, when I first admired the 801 Matrix in Stereophile magazine.

time-read
10 mins  |
February - March 2024
SHARP, BRIGHT, & BUDGET-FRIENDLY
Sound & Vision

SHARP, BRIGHT, & BUDGET-FRIENDLY

IN JUST a few short years the home projector landscape has undergone a radical revolution in terms of price and selection.

time-read
6 mins  |
February - March 2024
Big Atmos Generator
Sound & Vision

Big Atmos Generator

Guitarist/vocalist Trevor Rabin gives a rousing “yes” to doing surround sound and Atmos mixes for his solo work, movie soundtracks, and the

time-read
3 mins  |
February - March 2024
THE SOUND OF SPEED
Sound & Vision

THE SOUND OF SPEED

MotoGP Racing and Audio-Technica Mics

time-read
10 mins  |
December 2023 - January 2024
Perfectly Portable
Sound & Vision

Perfectly Portable

SONOS MOVE 2

time-read
5 mins  |
December 2023 - January 2024
Aural Excellence
Sound & Vision

Aural Excellence

DYNAUDIO EMIT 50 LOUDSPEAKER

time-read
10 mins  |
December 2023 - January 2024
Desktop Dynamo
Sound & Vision

Desktop Dynamo

MONOPRICE MONOLITH MTM-100 AND THX CERTIFIED 8-INCH, 150-WATT POWERED SUBWOOFER

time-read
9 mins  |
December 2023 - January 2024