MISSION: Convey the sense of disorientation and confusion a single shot is unable to convey
PHOTOGRAPHER: Sara Jazbar
LOCATION: Trieste, Italy
KIT USED: Nikon D500, D5200, D700, AF-S 24-120mm f/4G ED VR, AF-P DX 18-55mm f/3.5-5.6G VR, Tokina 11-20mm f/2.8 AT-X PRO DX
INSTAGRAM: @jazart72
FACEBOOK: facebook.com/jazartvisualarts
Airbrushing was my first love. I started taking photos because I wanted to have my own references and avoid having to always ask permission to reproduce images. Very soon, though, my main interest shifted to photography and I started experimenting in various genres. I don’t like to be bound to one genre. My artistic background causes me to question the way I sometimes feel and I can’t always convey this through a conventional image. I started to experiment with post-production techniques and achieved these images by overlaying the same photo multiple times, shifting each layer as I saw fit and playing with the opacity and various blending modes. My inspiration for these pictures was Thomas Vanoost, a brilliant fine art photographer.
This story is from the October 2021 edition of N-Photo: the Nikon magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the October 2021 edition of N-Photo: the Nikon magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
Quack shot
A rain-soaked Robert May proves you don't have to head out searching for elusive birds of prey to capture stunning shots of birds in flight
Kim Grant
Scottish landscape photographer Kim Grant prefers chasing more intricate - even abstract - images and tells Keith Wilson why she eschews the large, wide views of well-known locations
Heal the noise
Find out from James Paterson which are the best noise reduction tools in Photoshop
Clone in a crowd
Make multiple clones and master essential layer masking skills in Affinity Photo with James Paterson
Full of hot air
Mike Harris photographs Bristol Balloon Fiesta from Clifton Observatory so he can frame the city’s famed suspension bridge
Flutter speed
Mike Harris shows you how to capture beautiful butterfly close-ups without a tripod
Take-off sequence
Nigel A Ball uses Pre-Release Capture mode and fast burst speeds to shoot butterflies on the wing
The perfect gift
My 30th birthday marks more than a decade as a pro- and all I want is a cracking moment with nature at a stunning location holding my camera
20 top tips for...Autumn landscapes
Mark Bauer gives some expert advice to help you capture the vibrant colours of the landscape during the most photogenic season of the year
A game of tones
Our apprentice meets a vintage diver and channels the House of the Dragon with pro Paul David Smith