I had forgotten that it was. The news was telling me every day that it wasn't. So many deaths. Every sneeze, every cough, was it the pandemic? Was death closing in? How close could I get to another human? Would this child understand why I was masked, why he couldn't see my smile, why we couldn't hug? What a way to live!
I was lucky to be in a situation where we could be outside in nature and to remember how lucky I was to live in Los Angeles, where we have access to nature most of the 365 days of the year.
The nature and curiosity of a four-year-old child led me into a world of order & harmony, sunshine & flowers. As the child played in the dirt & pretended to make berry pie, I looked up from my low vantage point & saw these dracaenas and captured the bounty of life above me. I leaned close to the stalks of dracaenas & entered another world. - Laurie Freitag
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SMALL INTIMATE MOMENTS
PHOTOGRAPHY OFFERS ME THE OPPORTUNITY TO BE IN THE WORLD WHILE I ALSO FLOATING OUTSIDE IT. WHEN I AM IMMERSED IN MAKING CANDID PHOTOGRAPHS, I SLOW DOWN AND ENJOY MOMENTS THAT I WOULD OTHERWISE MISS." - REBECCA ROTHEY
THE CAMERA'S EYE
I have had the incredibly good fortune to learn photography and life lessons from many of the most influential photographers in the history of the medium.
As countries slowly start to open up their borders, travel is beginning to bounce back.
HAUNTING PORTRAITS Joe Buergi
The "Haunting Portraits" series focuses on the hard workers of Bangladesh. They work either in the docks, shipyards, or as laborers in the brick factories outside Dhaka. In 2020 I visited different places and portrayed the workers photographically.
AN EXCLUSIVE INTERVIEW WITH QUIM FÀBREGAS
THE CHILDHOOD OF THE BAKA PYGMIES The childhood of the Baka pygmies is a photographic report made in the jungle of Cameroon. This report exhibits the childhood life of the pygmies, their freedom, their way of spending hours in the middle of nature, and the toughness of living in a habitat that rains for many months of the year, and It's extremely tough to get food. You can see the faces of the happy and cheerful children, but you can also see the hardness of the mothers.
TERRITORY OF ABSENCES ALMIR BINDILATTI
An Exclusive Interview With MANFRED BAUMANN
My grandfather had won many photo competitions; he dealt with artistic b/w photography. We grew up in the mountains of Austria, and his work later reminded me a lot of Ansel Adams' landscapes artistic style. He gave me my first camera, a Praktika 1000, and I still have it. Without him, I might never have gotten into photography!
Hieronymus Grabstein – Monumentum
Our brain is organized so that it analyses and memorizes visual information faster than any text. A spectator is always curious to see what is left outside the camera’s view. There is hardly a better way to tell stories of people’s lives other than via visual imagery. Handicraft– from the beginning and up to the end of each operation. It is not an automated process but significant experience, expertise, and a bit of spontaneity and freedom of artistic creativity.
Fares Micue – An ultimate message of Positivism
I always try to isolate as many details as I can from the final image I want to create, like that I able to get to a more accurate representation of the image in my head.
AUDE OSNOWYCZ - 2SERIES
WOMEN FIGHTERS IN SYRIA UKRAINE: A YOUTH BETWEEN WAR AND PEACE