An Exclusive Interview With Nandakumar Narasimhan
Lens Magazine|March 2021
The Little Red Train
By José Jeuland
An Exclusive Interview With Nandakumar Narasimhan

JOSE JEULAND: Nanda, could you share a little bit more about you? Your Background, where grow-up? Education or previous jobs?

NANDAKUMAR NARASIMHAN: I was born in Bombay (now Mumbai). I spent the first 14 years of my life there before moving to Singapore with my dad in 1997. I did my degree in Environmental Engineering through NTU, and I haven't worked as an engineer for even a day. I don't even know if I can find my degree certificate today. So I've worked as a photographer since 2009, and that is clearly my field.

J.J.: Before digital photography, were you a photographer using film?

N. N.: Oh yes. I happened to be the Photographic Society president in my University, and I spent more time in the darkroom than in the lecture and tutorial rooms in NTU. I started with photography using my dad's Zenit EM camera back in 1998 and never really shot with a digital camera until 2007 when I did some portrait assignments in my University that required me to shoot on digital. For me, It's always been film cameras. Even today, around 95% of my personal projects are done on film.

J.J.: You did incredible work about the Indian Railways. Could you share with us more about this work? Which area was this? When did you start working on this series?

This story is from the March 2021 edition of Lens Magazine.

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This story is from the March 2021 edition of Lens Magazine.

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