In 2019, a 60-year-old Emma Thompson explained her sudden career renaissance. She had spent her youth playing romantic leads, but once she turned 40, she said, she could fill such roles only “in a pinch.” The offers became more limited, the parts smaller: a batty clairvoyant in the Harry Potter series; a wronged wife in Love Actually; the voice inside Will Ferrell’s head in Stranger Than Fiction. Then another decade passed, and the opportunities became interesting again. Hallelujah! In the past five years alone, Thompson has played a High Court judge in The Children Act, an uptight television host in Late Night, and the British prime minister (twice).
Thompson had experienced what we might call “the dry decade.” The midlife plight of women in Hollywood was immortalized in an Amy Schumer sketch that achieved instant cult status when it aired six years ago. Three actresses are enjoying a picnic in a wooded glade, celebrating one of their number’s “Last Fuckable Day.” The women around the table— Patricia Arquette, Tina Fey, and Julia Louis-Dreyfus— are all attractive, smart, and funny. But that doesn’t matter. They’re over the hill in Hollywood’s eyes. Fey notes that eventually, women realize that the poster for their movie is “just, like, a picture of a kitchen.” Louis-Dreyfus adds that such films have “these very uplifting and yet vague titles, like Whatever It Takes or She Means Well.”
This story is from the March 2022 edition of The Atlantic.
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This story is from the March 2022 edition of The Atlantic.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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