Change the Map, Change the Moral
The Atlantic|May 2022
A global view of World War II turns a battle for freedom into a battle for empire.
By Daniel Immerwahr. Illustration by John Whitlock
Change the Map, Change the Moral

What was the Second World War about? According to Allied leaders, that wasn't a hard question. “This is a fight between a free world and a slave world,” U.S. Vice President Henry Wallace explained. It is between Nazidom and democracy, Winston Churchill said, with tyranny on one side and “liberal, peaceful powers on the other.

Would that it were so simple. The Allies inclusion of the Soviet Union—a dictatorship as absolute as any dictatorship in the world, Franklin D. Roosevelt once called it-muddied the waters. But the other chief Allies weren't exactly liberal democracies, either. Britain, France, the Netherlands, Belgium, the United States, and (depending on how you view Tibet and Mongolia) China were all empires. Together, they held, by my count, more than 600 million people—more than a quarter of the world—in colonial bondage.

This fact wasn't incidental; empire was central to the causes and course of the war. Yet the colonial dimensions of World War II aren't usually stressed. The most popular books and films present it as Churchill did, as a dramatic confrontation between liberty-loving nations and merciless tyrants. In the United States, it's remembered still as the “good war, the vanquishing of evil by the Greatest Generation.

That understanding works—sort of—when war stories focus on Adolf Hitler's invasions of sovereign states in Europe. It falters, however, when they center on the Pacific. There, the Japanese targeted colonies, seizing them under the banner of Asia for the Asiatics. The Allies beat Japan back, but only to return Burma to the British and Indonesia to the Dutch-Asia for the Europeans.

This story is from the May 2022 edition of The Atlantic.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the May 2022 edition of The Atlantic.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM THE ATLANTICView All
After the Miracle
The Atlantic

After the Miracle

Cystic fibrosis once guaranteed an early deathbut a medical breakthrough has given many patients a chance to live decades longer than expected. What do they do now?

time-read
10+ mins  |
April 2024
WILLIAM WHITWORTH 1937-2024
The Atlantic

WILLIAM WHITWORTH 1937-2024

WILLIAM WHITWORTH, the editor of The Atlantic from 1980 to 1999, had a soft voice and an Arkansas accent that decades of living in New York and New England never much eroded.

time-read
6 mins  |
May 2024
Christine Blasey Ford Testifies Again
The Atlantic

Christine Blasey Ford Testifies Again

Her new memoir doubles as a modern-day horror story.

time-read
9 mins  |
May 2024
Is Theo Von the Next Joe Rogan?
The Atlantic

Is Theo Von the Next Joe Rogan?

Or is he something else entirely?

time-read
5 mins  |
May 2024
Orwell's Escape
The Atlantic

Orwell's Escape

Why the author repaired to the remote Isle of Jura to write his masterpiece, 1984

time-read
10+ mins  |
May 2024
What's So Bad About Asking Where Humans Came From?
The Atlantic

What's So Bad About Asking Where Humans Came From?

Human origin stories have often been used for nefarious purposes. That doesn't mean they are worthless.

time-read
10 mins  |
May 2024
Miranda's Last Gift
The Atlantic

Miranda's Last Gift

When our daughter died suddenly, she left us with grief, memories and Ringo.

time-read
10+ mins  |
May 2024
BEFORE FACEBOOK, THERE WAS Black Planet
The Atlantic

BEFORE FACEBOOK, THERE WAS Black Planet

An alternative history of the social web

time-read
10+ mins  |
May 2024
CLASH OF THE PATRIARCHS
The Atlantic

CLASH OF THE PATRIARCHS

A hard-line Russian bishop backed by the political might of the Kremlin could split the Orthodox Church in two.

time-read
10+ mins  |
May 2024
THE MAN WHO DIED FOR THE LIBERAL ARTS
The Atlantic

THE MAN WHO DIED FOR THE LIBERAL ARTS

Chugging through Pacific waters in February 1942, the USS Crescent City was ferrying construction equipment and Navy personnel to Pearl Harbor, dispatched there to assist in repairing the severely damaged naval base after the Japanese attack.

time-read
10+ mins  |
May 2024