Why shouldn’t pop music be intelligent?” I wonder aloud. “Quite” replies intelli-pop alchemist Alison Goldfrapp, with a raised eyebrow and a concise, authoritative tone that recalls a schoolteacher you’d trust with your life. “I’ve always thought the best pop songs are the best songs,” she continues. “When they’re great, they’re beyond.”
She’d know. From the robotic beats of ‘Strict Machine’ to the assertive synths of ‘Ooh La La’, and the pastoral simplicity of ‘A&E’ to the fizzy rush of ‘Rocket’, Goldfrapp’s singles discography has raised the bar of 21st-century British pop music. And while Alison and bandmate Will Gregory’s sparkling, genre-flipping oeuvre (seven studio LPs including five UK top-10 albums and their worldwide million-selling crowning glory, Supernature) famously caters for dance, indie and even classical music-lovers, their most fervent fan base is the Popjustice-lurking genre nerd for whom prestigious pop music is a religion.
Bu hikaye Rolling Stone UK dergisinin June/July 2023 sayısından alınmıştır.
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Bu hikaye Rolling Stone UK dergisinin June/July 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Giriş Yap
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