Roger Daltrey is unequivocal about where his passions lie with The Who. "I've always preferred playing live to recording in the studio," he tells RC over a zoom call from his home study in Burwash, East Sussex "The studio has always been a slog for me because we never used to rehearse the songs beforehand. Playing the track at the same time is all right for a guitarist, but for a singer to sing the same thing over and over again, you kind of lose sight of it in a way. So, the studio was never a comfort zone. But on the stage, everything's out there on the night, which brings a certain amount of freshness and excitement to it all."
Given The Who's fearsome reputation as one of the greatest live bands on the planet, it's not difficult to see his point. And while no one is disputing the brilliance and ambition of much of The Who's studio output over the past six decades, their concerts, historically, have tended to pack added thrills. They first started building a buzz around their native West London in 1963 (a year after forming as The Detours), consolidating their following at places like the Goldhawk Social Club. The Who swiftly became synonymous with the burgeoning mod movement, holding court at the Railway Hotel in Harrow and unleashing Maximum R&B at Soho's Marquee.
This story is from the April 2023 edition of Record Collector.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the April 2023 edition of Record Collector.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
"THINGS CAN GO VERY BADLY WRONG"
But not too often. The Iron Maiden singer, aviator, business mogul and awardwinning everyman, Bruce Dickinson, returns with a new solo album, The Mandrake Project – Top 10 across the planet at the time of writing – and a ton of anecdotes about his extraordinarily successful career. Just don’t try and put him in a box. “I’m not a number, I’m a free man!” he warns Joel McIver.
Out Of The Darkness
Long-anticipated solo debut from Portishead singer is worth the wait
Clearing The Way
The end of an era for Bolan's glam-rock trailblazers.
SOCK IT TO ME DISC-ITS! WHEN TWO TRIBES VINYL AND CD (AND CASSETTE) WENT TO WAR
Dream, if you can, a courtyard. An ocean of violets in bloom. Alternatively, a 1984 record shop and all its pristine treasures. Close your eyes, let’s go there together. What do you see? From chest-level down – vinyl.
Steve Harley 1951-2024
As frontman for Cockney Rebel, the singer-songwriter crafted one of the glam rock era's greatest singles in Make Me Smile (Come Up and See Me).
The Collector
Swiss-based Icelander Sunna Margrét is a rising force in experimental pop. Having begun her career as a teenager touring with electro-pop ensemble Bloodgroup, she is about to release her debut full-length solo LP, Finger on Tongue.
She'd only Just gun
With their rapturous harmonies, the Carpenters dominated the 70s’ airwaves, selling over 100 million records with hits like Close To You and Yesterday Once More. But by 1979, lead singer Karen was seeking a new direction… Biographer Lucy O’Brien recounts her attempts to move out of the restrictive environment of the family band that had made her a star
PNEUMATIC FOR THE PEOPLE
Forming in West Berlin in 1980 and achieving their greatest notoriety circa 1984, industrial noise-punks Einstürzende Neubauten have far e xceeded t he i r p ro jec ted l i fe expectancy. Founding frontman Blixa Bargeld traces the evolution of the metalbashing pioneers. Jeremy Allen is all (suitably protected) ears
FRUITS OF THEIR LABOUTES
Bananarama had their first Top 3 hit in 1984, Robert De Niro's Waiting. Rob Hughes meets lifelong friends and bandmates Sara Dallin and Keren Woodward as they look back on their career, album by album
Being Soaring.
In April 1984, the original, faster Bobby Oproduced version of West End Girls was released.