“Raw power is more than soul It’s got a son called rock and roll”
No frontman had ever looked quite like that. Sinewy. Golden. A flash of silver pants. Dead eyed. Imperious. Robert Plant may have had his Dionysian locks and tightly laced bell bottoms. Ozzy could look quite demonic. And there had always been showmen like Little Richard. But that portrait by Mick Rock chilled the blood. One could
feel, smell, taste the danger. On the back cover an even more unsettling image of the singer – stood bolt upright like one of the undead – bearing fangs like a wounded beast. Feral. In 1997, Iggy Pop recounted to Arthur Levy his feelings on the eve of the release of Raw Power in February 1973.
“I know this album is doomed,” he said. “I know the relationship with the management company is doomed. I know I’m doomed for putting out music like this. I know no one is going to promote it. I know no one is going to play it on the radio. But this is what I’m gonna do!”
“What he was gonna do” was the greatest rock album of the early 70s. Inside that sleeve was a torrent of energy, pounding at your ribcage, stripping flesh from the bones: a screeching, convulsive, howling, prowling, sonic annihilation. The bona fide primal scream.
This story is from the January 2023 edition of Record Collector.
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This story is from the January 2023 edition of Record Collector.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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