<div style="page-break-before:always; page-break-after:always">IT&rsquo;S SAFE TO say these are some crazy times &mdash; the kinda times that might even make you cry out for some carefree rock &lsquo;n&rsquo; roll. Enter Rookie, a Chicago-bred six-piece whose eponymous debut album might just be the salve that chases away your quarantine blues. Rookie&rsquo;s album is 42 minutes of late-seventies summer, a cocktail of rock &lsquo;n&rsquo; roll and power pop that&rsquo;d be perfectly at home blasting out of the open windows of an idling El Camino, bubbling out of the jukebox at your favorite wood-paneled dive bar or blaring from a boombox docked by your parents&rsquo; backyard pool. Rookie splice together the laid-back roots rock of early Tom Petty, the melodic sensibility of Midwest power-pop heroes like Big Star and Cheap Trick (with whom Rookie were touring in support just before the world stopped spinning) and laced up with a truly badass triple-guitar assault.Rookie&rsquo;s album is a love letter to a more carefree time when rock need not be complicated or convey some grand vision to be great; it&rsquo;s a record crafted with care by a group that&rsquo;s obviously studied the classics deeply enough to forge a remarkably fresh vision of a bygone era. Standout tracks include the lazy pedal steel river of &ldquo;Sunglasses,&rdquo; the incendiary solo on album opener &ldquo;Hold On Tight&rdquo; and the Allman Brothers-meets-Badfinger romp of &ldquo;Introduction II.&rdquo; The guitar tones on the album are absolutely spot on to boot.<div style="page-break-before:always; page-break-after:always"><img src="https://magarticles.magzter.com/articles/6069/543948/5fa38b4b99306/1604553457471.jpg" owidth=657 oheight=806" width="300" />&ldquo;A lot of volume helps in the studio,&rdquo; says Dimitri Panoutsos, one of Rookie&rsquo;s trio of killer axmen. &ldquo;Those rocking tones aren&rsquo;t always so much distortion, and when we push an amp to its limit, the true tonal character of the amp is revealed. Chris [Devlin]&rsquo;s slide tone on &lsquo;Fake Grass&rsquo; is a 1977 Fender Deluxe Reverb cranked to 10. Another great example is my tone on &lsquo;E Jam,&rsquo; which was a Mesa/Boogie Mark I with an Altec Lansing speaker dimed! We love when the speaker compresses in a way that really can&rsquo;t be recreated with a pedal.&rdquo;<div style="page-break-before:always; page-break-after:always">With three deft players in the fold, Rookie&rsquo;s Devlin, Panoutsos, and Max Loebman keep the sound full without getting cluttered through a trick learned from the Eagles.&ldquo;After watching live videos of [Joe] Walsh and [Don] Felder, we realized they never use the same pickups during a song,&rdquo; Loebman says. &ldquo;One guy would use humbuckers and the other always used single coils. We applied that to Rookie. We also realize that less is often more.&rdquo;&ldquo;Sometimes you just need to let the song breathe, and your part will be all the more powerful through the negative space,&rdquo; Devlin adds.

Rookie 

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