RARELY HAS THERE been a relationship between an artist and a magazine like the one Guitar World shared with Eddie Van Halen. With more than 20 cover stories and additional pieces published by various GW offshoots like Guitar Aficionado, Guitar Legends and Guitar School, much ink has been spilled by us in the name of Van Halen through the years. Ed’s appeal to our publication was obvious. As one of the greatest electric guitarists of the 20th century, and one of the most important guitar inventors since Les Paul, Leo Fender and Ted McCarty, his work was endlessly fascinating and worth reporting to our readers.
As a personality, he was funny, unvarnished and a surprisingly effective communicator. His interviews were always an appealing combination of “aw, schucks” humility, rowdy fun and straight-shooting insight, and he regularly spoke about his revolutionary playing techniques, such as tapping, as if they were no big deal, often laughing at the absurdity of his own ingenuity as if it was some other “Eddie Van Halen” that made it all up.
“I was just sitting in my room at home, drinkin’ a beer, and I remembered seeing people popping their finger on the fretboard and tapping out one note,” he once told us in his distinctive gravelly voice. “I thought, ‘Well, nobody is really capitalizing on that. Nobody was doing more than just one stretch and one note… real quick.’ So, I started dickin’ around and said, ‘Fuck! This is a technique nobody really does!’”
Let’s unpack that for a second.
This story is from the January 2021 edition of Guitar World.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the January 2021 edition of Guitar World.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
KIM THAYIL
The mighty Soundgarden guitarist looks back on his most iconic riffs and solos, as well as the gear and tunings that guided him deep into the creative superunknown
ANDY BELL
The U.K. shoegaze pioneer discusses the recording of Ride's classic Nineties albums and his 10 years as a member of Oasis
MARC FORD
The respected SoCal guitarist explains why he chose the Black Crowes over Guns N' Roses - and how the Crowes' internal friction helped make them a compelling alternative to grunge
BRIAN VANDER ARK
Determined as he moves out of the shadow of his past, the guitarist recounts the origins of the Verve Pipe and the recording of a definitive Nineties anthem, \"The Freshmen\"
VERNON REID
From Vivid to Time's Up to Stain: How Vernon Reid's expressionist shredding juiced Living Colour through the grunge era
ART ALEXAKIS
The tenacious Everclear frontman/guitarist discusses the music, moments and \"dangerous\" amps that changed his life and maybe ours - in the Nineties and beyond
DAYS OF FUTURE PAST
The retro designs, digital innovations and misfit toys that defined guitar gear and technology in the Nineties
IT'S ALL A BLUR...
The rise and fall of Britpop, the Nineties' other massive, guitar-based movement
NEVERMIND NEVERMIND!
10 overlooked rock albums from the Nineties that are worth a second listen
A GRUNGY GUITAR GUIDE TO THE '90S
Guitar World