Ayron Jones
Guitar World|September 2021
Seattle’s self-taught six-string dynamo talks tone, tension, channeling Tom Morello — and why he considers himself the Bruce Lee of guitarists
By Joe Bosso
Ayron Jones

ONE THING AYRON Jones makes clear right from the get-go: When he straps on a guitar, he isn’t about to play nice. “I like to attack the instrument,” he says. “I’m almost like Bruce Lee when it comes to playing. Because I’m self-taught, I don’t always fit into the standard forms of expression or what might be acceptable, so I kind of punch my way through.”

He laughs and adds, “Whatever it takes to get my point across, I’ll do it, man. If it hits you upside the head, then I’ll know I did my job.”

The Seattle-based singer, songwriter and guitarist goes bold in the opening seconds of his dynamite new album, Child of the State. Following a tense, turgid guitar riff, he sings defiantly, “I heard you called the f*cking police, ’cause we the baddest band in town” on the rollicking opening cut, “Boys from the Puget Sound.” Clearly, he knows how to make a quick impression. “I definitely want to get your attention, and sometimes that calls for a smack in the face,” he says. “But I don’t want to be seen as some sort of provocateur. I want to promote conversation rather than try to provoke any sort of negative emotions. But sometimes the best way to get dialog going is by being direct. Whatever works.”

This story is from the September 2021 edition of Guitar World.

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This story is from the September 2021 edition of Guitar World.

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