New Opera’s spunky creative head busts out of the genre’s confines.
If, in his Orpheus in the Underworld, Jacques Offenbach shook the traditional story of Orpheus and Eurydice from its tragic-lovers tree, with the musician forced by Public Opinion to retrieve his cheating wife from the clutches of hell, then Jeong Ae Ree surely burnished the tale with Moulin Rouge-like bawdy campiness.
Was that the god Jupiter clad in hot pink tights, bra and pink fur? And the goddess Diana appearing like a Triumph undergarment model? Needless to say, sexual innuendoes and phallic symbols flew fast and furious, all culminating in the rousing chorus of the Galop Infernal, known to the rest of the world as the can-can tune. The show was fun to watch, shocking at times to see. Definitely not your typical night at the opera.
This story is from the July 2018 edition of The PEAK Singapore.
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This story is from the July 2018 edition of The PEAK Singapore.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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