Facebook Pixel Katie Crutchfield and Kevin Morby – Leave the World Behind | New York magazine - Lifestyle - Read this story on Magzter.com
Go Unlimited with Magzter GOLD

Go Unlimited with Magzter GOLD

Get unlimited access to 10,000+ magazines, newspapers and Premium stories for just

$149.99
 
$74.99/Year

Try GOLD - Free

Katie Crutchfield and Kevin Morby – Leave the World Behind

New York magazine

|

January 4-17, 2021

Shacked up in the suburbs of Kansas City, indie singer-songwriters Katie Crutchfield and Kevin Morby are making some of their best work.

- By Justin Curto

 Katie Crutchfield and Kevin Morby – Leave the World Behind

Kevin Morby is leaning back on his living-room couch in a hoodie, shorts, and a Kansas City Royals face mask. His partner, Katie Crutchfield, sits perched on his right, pulling down her plaid mask every so often for a sip of coffee. The two popular indie artists have spent the past three years settling into a domestic life that musicians aren’t often afforded. They started dating after touring together in the spring of 2017; when their time off lined up, they would crisscross the country to meet here, at Morby’s home in Kansas, just outside Kansas City.

Their street is a row of homogeneous one-story ranch homes with SUVs in the driveways and piles of leaves gathering out front. Inside, it becomes clear this is a musician’s home. The rooms are painted different pastel shades and decorated with relics from their careers—props from past Morby videos and wall art for Crutchfield’s project, Waxahatchee. The living room has a piano and a keyboard; the front room is a cozy listening area housing dozens of records. And the house itself is embedded in their latest albums, Waxahatchee’s Saint Cloud and Morby’s

MORE STORIES FROM New York magazine

New York magazine

New York magazine

THE BILLIONAIRE WHO WIRED SAN FRANCISCO

Ten years ago, concerned about car burglaries, Chris Larsen began installing a web of private cameras over the city. He had no idea how far his influence would go.

time to read

27 mins

May 18–31, 2026

New York magazine

New York magazine

MORGAN BASSICHIS TALKS TO GHOSTS

The performer's hit solo show, Can I Be Frank?, is part séance, part comedy routine, and unlike anything else in theater right now.

time to read

10 mins

May 18–31, 2026

New York magazine

New York magazine

It Is in Fact Possible to Get Off Your Phone

59 actually useful tips for using it (a little) less.

time to read

16 mins

May 18–31, 2026

New York magazine

New York magazine

SHE TELLS IT LIKE IT IS

Taraji P. Henson is having a ball in her Broadway debut, but the actor still has some bones to pick with Hollywood.

time to read

16 mins

May 18–31, 2026

New York magazine

New York magazine

They Rescued a Teardown and Raised the Roof

An artist couple renovated a neglected country house with enough space for an art collection and their own work.

time to read

3 mins

May 18–31, 2026

New York magazine

New York magazine

More Horrible Bosses

The Devil Wears Prada 2 nods to the media's bleak economic future—in a fun way.

time to read

3 mins

May 18–31, 2026

New York magazine

New York magazine

Brother, Can You Spare $200 Million?

Why the Metropolitan Opera needed a Saudi lifeline.

time to read

6 mins

May 18–31, 2026

New York magazine

New York magazine

The Rise of the FOOL

CLOWNING isn't just HONK-HONK. A report from the Eastside of Los Angeles, the center of the hottest COMEDIC ART.

time to read

26 mins

May 18–31, 2026

New York magazine

New York magazine

Turf Wars

For recreational soccer leagues, finding a field to play on has never been harder.

time to read

1 mins

May 18–31, 2026

New York magazine

New York magazine

What Her Mother Did

In The Hill, a child lives with the fallout of her family's radical past.

time to read

5 mins

May 18–31, 2026

Translate

Share

-
+

Change font size