On a very hot day in September 1983, the artist Lorraine O’Grady dressed in all white, pinned a pair of white gloves to her shirt, and joined the annual African American Day Parade in Harlem. The other participants were marching bands, Black community groups, and brands; O’Grady had entered her own float, an empty nine-by-15foot gold-painted wooden picture frame that she’d built with friends and mounted upright on a flatbed. As it made its way along Adam Clayton Powell Jr. Boulevard, the frame captured the people and sights on both sides of the street within its gilded bounds. O’Grady had hired 15 young Black performers who walked and danced alongside it, carrying smaller golden frames that they held up before members of the crowd. Big black letters on either side of the flatbed proclaimed art is …
This story is from the March 1-14, 2021 edition of New York magazine.
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This story is from the March 1-14, 2021 edition of New York magazine.
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