A couple of decades later, I was given a much better understanding of why I felt that way. In August 2018, as a fashion editor at the Cut, I wrote an article called “Everywhere and Nowhere: What It’s Really Like to Be Black and Work in Fashion.” The beautiful chaos of interviewing people of color in the industry felt like the best and worst parts of therapy. Most conversations ended up running more than two hours. So much emotion spilled over because the experiences of the designers, models, and fashion editors were often deeply painful—they were memories that had been buried for years, on purpose.
The stories they told, from the overt racism of being called a slur in front of their colleagues to the need to code-switch to survive, were uncomfortable to unpack and complicated to wrap my head around. And yet sharing them brought joy to all of us. The response from readers was also gratifying. The feeling of being iced out, disrespected, and ignored because of what you look like was not only a problem in fashion.
Soon after, I became editor-in-chief of Teen Vogue and was tasked with making young people feel seen and heard in the middle of one of the most divided times in modern history. I wanted to make a fashion magazine that challenged the idea that if you’re a “fashion” person, you can’t still care deeply about the world around you.
This story is from the August 30 - September 12, 2021 edition of New York magazine.
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This story is from the August 30 - September 12, 2021 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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