His use of the adverb ‘almost’ pinpoints, without hyperbole, the precise quality that sets Ravilious—‘the boy’, as he was known— apart and makes his work unique. Others had commented on it, too, during his student days at the Royal College of Art, where Bliss described him as ‘fastidious and assimilative, culling his fruits from any bough… [sifting] with the skill of an anthologist the rare things that could help him in his work… [going] his own way, rather like a sleep-walker, but with a sure step and an unswerving instinct for style’.
This story is from the February 23, 2022 edition of Country Life UK.
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This story is from the February 23, 2022 edition of Country Life UK.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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