Five years is a long time in wine. When I first wrote at length about orange wines in Decanter, in 2015, many wine pundits still viewed the style with suspicion – if not downright derision. It felt slightly bleeding edge, even if these wines had been appearing on our shelves for more than a decade. Now, in 2020, the fourth wine colour has elbowed its way into the hearts and minds of exponentially more adventurous drinkers around the globe, with orange wines produced and enjoyed on every continent. And justly so – with four possible combinations of red or white grapes with or without skins, why ignore 25% of wine’s possibilities?
Some are still perplexed by the style – or, more particularly, the name. If you accept the lexicon of red, white and rosé, then why not orange too? In actuality, all four terms describe the winemaking technique (grape colour, plus skins or not) rather than colour or style, per se.
It follows that not all orange wines are dark-amber coloured, tannic and cidery, just as not all red wines are mega-purple hued, grippy and oaky. Each of these four categories of wine offers up a multitude of taste, aroma and weight profiles.
Let’s tie-down that definition: orange wines aren’t made from oranges any more than rosé wines are made from roses. The term, first coined in 2004, concisely describes wines made from white grapes that have been fermented with their skins, unlike mainstream white wines, where skins will be discarded beforehand (even if a pre-fermentation cold soak is part of the equation). These are white wines made like red wines, the perfect food-friendly marriage of a white grape’s acidity and freshness with the texture and structure more often experienced in reds.
A style with history
This story is from the July 2020 edition of Decanter.
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This story is from the July 2020 edition of Decanter.
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