Violent Femme
Vogue|July 2019

By day she was a buttoned-up intern for the Reagan White House. But at night, in D.C.’s wild and gritty punk scene, Darcey Steinke really found herself.

Darcey Steinke
Violent Femme

In the spring of 1983, I returned to my dorm room one day to find a note scrawled on the college message board: CALL THE WHITE HOUSE. At first, I thought it was a joke. It was not unusual to get prank messages: MATT DILLON CALLED or PRINCE WOULD DIE 4 U, left by the work-study receptionist who also happened to be my roommate. I ignored it until several days later when I remembered the woman from the Reagan administration who had come to speak at my college the year before about professions for women in politics and her work as the head of the Office of Congressional & Legislative Affairs. After her lecture, I had approached her to ask about a job.

At that time I was a sophomore at Goucher College, outside Baltimore, planning my junior year abroad in Ireland. I was also a Democrat who had voted for Jimmy Carter in the most recent election—the only one in which I’d ever cast a ballot. I knew nothing about the Republican Party and was only mildly interested in Washington. My defining character trait at that point was curiosity. I longed to get a glimpse of a world that extended beyond my suburban Virginia childhood and my closed-off college campus. I had not been fantasizing about cocktail parties at embassies or Sundays at the Smithsonian, but I figured a potential job at 1600 Pennsylvania Avenue was too good an opportunity to dismiss outright.

This story is from the July 2019 edition of Vogue.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the July 2019 edition of Vogue.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM VOGUEView All
A Mother's Story
Vogue US

A Mother's Story

In a Broadway revival of Amy Herzog's play Mary Jane, Rachel McAdams finds uncommon grace in an account of parental struggle and pain.

time-read
8 mins  |
May 2024
Old Souls
Vogue US

Old Souls

A new production of Uncle Vanya brings the eternal wisdom of Anton Chekhov to the stage.

time-read
7 mins  |
May 2024
ELIZABETH DEBICKI
Vogue US

ELIZABETH DEBICKI

The actor who brought Princess Diana to life—and won a passel of awards in the process—is ready to transform anew.

time-read
5 mins  |
May 2024
If the Shoe Doesn't Fit
Vogue US

If the Shoe Doesn't Fit

Forever looking for a 42 ina world of 39s.

time-read
3 mins  |
May 2024
Stuck on You
Vogue US

Stuck on You

Once applied primarily to adolescent totems, stickers for wellness!are growing up.

time-read
4 mins  |
May 2024
Partial to It
Vogue US

Partial to It

Gen Zers have deemed side parts hopelessly outdated, but new defenders see the appeal.

time-read
2 mins  |
May 2024
With Nail and I
Vogue US

With Nail and I

Inspired by recent runways, Lena Dunham tries on inch-long talons and mere tip-skimming lengths, and wonders: What do our nails say about all we’re asked to do?

time-read
8 mins  |
May 2024
Not Black and White
Vogue US

Not Black and White

At just 27, Anna Park has made a major impression on the art world. Dodie Kazanjian visits her studio.

time-read
9 mins  |
May 2024
Prep School
Vogue US

Prep School

Back in the '90s, Plum Sykes arrived in New York from London and promptly found herself in the thrall of preppy chic. Now, she writes, it's all coming back.

time-read
5 mins  |
May 2024
States of WONDER
Vogue US

States of WONDER

John Galliano's recent Maison Margiela triumph was an haute couture tour de force. Yet, as Hamish Bowles recalls, it's but the latest in the designer's long history of era-defining shows.

time-read
5 mins  |
May 2024