Remembering Jayne
Vogue|July 2019

When Jayne Wrightsman died in April at the age of 99, it didn’t just mark an end to her tastemaking talents and philanthropic prowess. It marked the end of an era. Hamish Bowles looks back at her outsize life.

Hamish Bowles
Remembering Jayne

JAYNE WRIGHTSMAN FIRST SAT FOR VOGUE in 1946, arriving at the studio where Cecil Beaton was working only to discover the exquisite actress Vivien Leigh “coming out in this bower of lilac,” as she recalled. “She was so beautiful.” So beautiful, in fact, that Jayne was taken aback when she learned that she was expected to sit on the same set. “Mr. Beaton, I’m not staying here to be photographed,” she declared. “Oh, yes you are!” he said.

Jayne and Beaton became friends from that day. “I loved him,” she told me. “Thank God we had Cecil, or we’d have no Mrs. Wrightsman,” she added in her characteristically self-deprecating way. “He used to come every year and say, ‘My dear, shall we do it one last time?’ And I’d say, ‘Yes!’ ”

Wrightsman, who died in April at the age of 99, was a legendary cultural philanthropist—a brilliant autodidact who became an expert in the French decorative arts of the eighteenth century and a fabled enricher of the collections of The Metropolitan Museum of Art and other notable institutions. She was also a renowned hostess as well as a best-dressed style maker known for her unerring eye, exquisite taste, and sly wit.

This story is from the July 2019 edition of Vogue.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the July 2019 edition of Vogue.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM VOGUEView All
A Mother's Story
Vogue US

A Mother's Story

In a Broadway revival of Amy Herzog's play Mary Jane, Rachel McAdams finds uncommon grace in an account of parental struggle and pain.

time-read
8 mins  |
May 2024
Old Souls
Vogue US

Old Souls

A new production of Uncle Vanya brings the eternal wisdom of Anton Chekhov to the stage.

time-read
7 mins  |
May 2024
ELIZABETH DEBICKI
Vogue US

ELIZABETH DEBICKI

The actor who brought Princess Diana to life—and won a passel of awards in the process—is ready to transform anew.

time-read
5 mins  |
May 2024
If the Shoe Doesn't Fit
Vogue US

If the Shoe Doesn't Fit

Forever looking for a 42 ina world of 39s.

time-read
3 mins  |
May 2024
Stuck on You
Vogue US

Stuck on You

Once applied primarily to adolescent totems, stickers for wellness!are growing up.

time-read
4 mins  |
May 2024
Partial to It
Vogue US

Partial to It

Gen Zers have deemed side parts hopelessly outdated, but new defenders see the appeal.

time-read
2 mins  |
May 2024
With Nail and I
Vogue US

With Nail and I

Inspired by recent runways, Lena Dunham tries on inch-long talons and mere tip-skimming lengths, and wonders: What do our nails say about all we’re asked to do?

time-read
8 mins  |
May 2024
Not Black and White
Vogue US

Not Black and White

At just 27, Anna Park has made a major impression on the art world. Dodie Kazanjian visits her studio.

time-read
9 mins  |
May 2024
Prep School
Vogue US

Prep School

Back in the '90s, Plum Sykes arrived in New York from London and promptly found herself in the thrall of preppy chic. Now, she writes, it's all coming back.

time-read
5 mins  |
May 2024
States of WONDER
Vogue US

States of WONDER

John Galliano's recent Maison Margiela triumph was an haute couture tour de force. Yet, as Hamish Bowles recalls, it's but the latest in the designer's long history of era-defining shows.

time-read
5 mins  |
May 2024