Trial by Fire
Vogue US|March 2023
After a barnburning run on Killing. Eve, Jodie Comer heads to Broadway 1 in a piercing courtroom drama. Adam Green bears witness.
By Adam Green. Photographed by Norman Jean Roy
Trial by Fire

Between 2018 and 2022, Jodie Comer became a star with her virtuoso performance as the gorgeous, gleefully sociopathic assassin Villanelle on the BBC America series Killing Eve, winning a BAFTA and an Emmy and causing everyone to freak out about how great she was. But what she’d always wanted to do was act on the stage. As a 12-year-old in Liverpool, she won first prize at a local drama festival for a monologue about the 1989 Hillsborough Stadium disaster, and at 17 she appeared in a play called The Price of Everything at a theater-in-the-round in Scarborough, North Yorkshire. Still, despite continuing to audition for theatrical roles while she worked in TV and film throughout her teens and 20s, the stage remained elusive. “A lot of the feedback was great,” Comer tells me over tea in New York in her unvarnished Scouse accent. (She is apartment shopping in the city when we meet, a big step after living at home with her parents and younger brother for much of the pandemic.) “But one thing that was resounding was, like, ‘She hasn’t been to drama school and this is too big a task for someone who isn’t classically trained.’ I used to feel quite defeated by that.”

This story is from the March 2023 edition of Vogue US.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the March 2023 edition of Vogue US.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM VOGUE USView All
A Mother's Story
Vogue US

A Mother's Story

In a Broadway revival of Amy Herzog's play Mary Jane, Rachel McAdams finds uncommon grace in an account of parental struggle and pain.

time-read
8 mins  |
May 2024
Old Souls
Vogue US

Old Souls

A new production of Uncle Vanya brings the eternal wisdom of Anton Chekhov to the stage.

time-read
7 mins  |
May 2024
ELIZABETH DEBICKI
Vogue US

ELIZABETH DEBICKI

The actor who brought Princess Diana to life—and won a passel of awards in the process—is ready to transform anew.

time-read
5 mins  |
May 2024
If the Shoe Doesn't Fit
Vogue US

If the Shoe Doesn't Fit

Forever looking for a 42 ina world of 39s.

time-read
3 mins  |
May 2024
Stuck on You
Vogue US

Stuck on You

Once applied primarily to adolescent totems, stickers for wellness!are growing up.

time-read
4 mins  |
May 2024
Partial to It
Vogue US

Partial to It

Gen Zers have deemed side parts hopelessly outdated, but new defenders see the appeal.

time-read
2 mins  |
May 2024
With Nail and I
Vogue US

With Nail and I

Inspired by recent runways, Lena Dunham tries on inch-long talons and mere tip-skimming lengths, and wonders: What do our nails say about all we’re asked to do?

time-read
8 mins  |
May 2024
Not Black and White
Vogue US

Not Black and White

At just 27, Anna Park has made a major impression on the art world. Dodie Kazanjian visits her studio.

time-read
9 mins  |
May 2024
Prep School
Vogue US

Prep School

Back in the '90s, Plum Sykes arrived in New York from London and promptly found herself in the thrall of preppy chic. Now, she writes, it's all coming back.

time-read
5 mins  |
May 2024
States of WONDER
Vogue US

States of WONDER

John Galliano's recent Maison Margiela triumph was an haute couture tour de force. Yet, as Hamish Bowles recalls, it's but the latest in the designer's long history of era-defining shows.

time-read
5 mins  |
May 2024