Faces Of The Future
Skin Deep|Issue 310
With the onslaught of social media these ground-breaking moments have become more frequent, occurring on an almost weekly basis—depending on the quality of your feed—yet, moments that break new ground have also become as ephemeral as a refresh button; just yesterday I was spellbound by Jaya Suartika’s innovative placement of an Indonesian batik keris design on (and it would seem also, in) Paul Stillen’s backside.
Faces Of The Future
The distance between the present and future in tattoo appears as though it is receding. Imagining the future today could easily become an antiquated idea tomorrow, and that’s what makes Faces of the Future a unique and bold attempt to document the boundaries of our imagination today. Developed by tattoo artist, Hanumantra, and photographer, Kaja Gwinsca, the concept brings together visions of the future of tattoo artists they respect and admire. I catch up with Hanumantra to discover more about the project.

What prompted the project / why did you create it?

In my early years and pre today’s technology, I spent copious amounts of time traveling, which exposed me to a lot of ‘dead time’. To fill the hours, I would constantly doodle designs using a Bic ballpoint pen in magazines, working up designs that I thought could work as tattoos. The more I did the more interesting this concept of drawing on pictures became, I realised that without the restriction and expectation that comes with actual tattoos I was free to develop my work at will, I was able to have fun where the consequence for error was nil. As a freehand tattooist, this approach allowed me to truly develop an aesthetic to my tattoos that I felt comfortable with.

With this concept in mind I thought it would be fun to see what other creations could come from others in the industry, so I reached out to a few friends to see if they would be interested in a collaboration in freedom of expression to share and inspire others in the industry. What has been truly great for me is this project has given me the chance to work with people I greatly respect and admire, people pushing their work and influencing tattooing in their own way and allowing me the opportunity to share this with the wider public.

What criteria did you select the artists by?

This story is from the Issue 310 edition of Skin Deep.

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This story is from the Issue 310 edition of Skin Deep.

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