To Buy Or Not To Buy!
Harper's Bazaar Australia|October 2019
As the world’s eyes are opened to the devastating effects of fast fashion — including human rights violations and environmental damage — author Dana Thomas explores an alternative future for fashion. And it’s brighter than you might expect.
Dana Thomas
To Buy Or Not To Buy!

What if you eschewed the notion of ownership entirely? When you say that all you have are the clothes on your back, it usually means you have zero, zippo, zilch. What if you did that with intention?

What if you bagged buying clothes and rented them instead?

Renting clothes for men is not radical. My high-school boyfriend rented his tux for the prom. My husband rented his morning suit for our wedding.

But women? For anything other than for a costume party? Unthinkable.

Why?

Because the fashion industry has always wanted women to buy.

How else could they keep the cycle going and the profits rolling in? Then, along came the sharing economy, the idea that we don’t have to possess something to consume it. We share cars, music, homes. It was only a matter of time before the sharing economy moved into our wardrobes.

If the internet and social media kicked off the democratisation of fashion, renting solidified it. Renting clothes gives the modestly off consumer access to the same level of on-point luxury and style — if briefly — that the wealthy always have, and they can get it right now, for a fraction of the (oft-overinflated) retail price. The only items you’d ever need to buy are underwear, sleepwear, swimwear and shoes. Renting, more than any other apparel business model, fulfills legendary editor Anna Wintour’s desire to give as many people as possible the chance to wear Fashion. And to do so daily.

Unquestionably, the leader in garment sharing is the New York-based Rent the Runway. Founded in 2008 by a pair of Harvard Business School students, Jennifer Hyman and Jennifer Fleiss, it focused for nearly its first decade in business on special occasion clothes — prom gowns, party garb, the non-celebs’ version of red-carpet dressing.

This story is from the October 2019 edition of Harper's Bazaar Australia.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the October 2019 edition of Harper's Bazaar Australia.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM HARPER'S BAZAAR AUSTRALIAView All
Grounded In Gotham
Harper's Bazaar Australia

Grounded In Gotham

As she acclimatises to life under lockdown in her adopted city, model Victoria Lee reflects on fear, family and the fortitude of New Yorkers

time-read
3 mins  |
June/July 2020
Woman Of Influence Ingrid Weir
Harper's Bazaar Australia

Woman Of Influence Ingrid Weir

With a knack for elevating creative yet quotidian spaces and a love of bringing people together, the interior designer is crafting a sense of community among young artists.

time-read
5 mins  |
June/July 2020
CODE of HONOUR
Harper's Bazaar Australia

CODE of HONOUR

At Chanel’s latest Métiers d’art showing, house alums Vanessa Paradis and daughter Lily-Rose Depp reflect on the red-carpet alchemy of Coco’s beloved bow, chain, camellia and ear of wheat.

time-read
5 mins  |
June/July 2020
Stillness in time
Harper's Bazaar Australia

Stillness in time

Acclaimed Australian fashion designer Collette Dinnigan’s new life in Italy has been a slowing down of sorts — but now, with coronavirus containment measures in play, life inside the walls of her 500-year-old farmhouse in Puglia has taken on a different cast, she writes

time-read
4 mins  |
June/July 2020
In the BAG
Harper's Bazaar Australia

In the BAG

Aussie expat Vanissa Antonious from cult footwear brand Neous on going solo and stepping up her accessory offering.

time-read
5 mins  |
June/July 2020
uncut GEMMA
Harper's Bazaar Australia

uncut GEMMA

Forging her own path while paying it forward to the next generation, actor Gemma Chan is the (very worthy) recipient of the 2020 Women In Film Max Mara Face of the Future Award. She reflects on fashion, the Crazy Rich Asians phenomenon and red-carpet alter egos with Eugenie Kelly

time-read
5 mins  |
June/July 2020
THE TIME IS NOW
Harper's Bazaar Australia

THE TIME IS NOW

Esse Studios founder Charlotte Hicks’s slow-fashion model may just blaze a trail for the industry’s new normal. She talks less is more with Katrina Israel

time-read
3 mins  |
June/July 2020
COUPLES' THERAPY
Harper's Bazaar Australia

COUPLES' THERAPY

Brooke Le Poer Trench ruminates on the trials and tribulations of too much time together

time-read
8 mins  |
June/July 2020
CALM IN A CRISIS
Harper's Bazaar Australia

CALM IN A CRISIS

Caroline Welch was a busy woman who wrote a book on mindfulness for other busy women. Now, in the midst of a worldwide pandemic, she has started to take her own advice

time-read
5 mins  |
June/July 2020
ACCIDENTALLY RETIRED
Harper's Bazaar Australia

ACCIDENTALLY RETIRED

As we settle into the new normal of lockdown, Kirstie Clements finds a silver lining in the excuse to slow down and sample the low-adrenaline lifestyle of chocolate digestives, board games and dressing down for dinner

time-read
3 mins  |
June/July 2020