“I feel that in my career, everything I’ve hinted at, from Sink Or Swim to The ’59 Sound to playing with Bruce and all that stuff, everything has been a hint and a partial viewing to what I truly hear in my heart and I’m trying to do. And I’ve never achieved it, and I’m demanding of myself that it will happen.” Brian Fallon told us that just over a year ago. So today, as we read those words back to him when we meet in the cafe of London’s Rough Trade East record shop to discuss his new solo album Local Honey, we have to ask him – did it happen?
“I feel that this is step one,” he smiles. “The door is now opened, walked through. I have no choice but to walk forwards. I honestly feel that when I’m done making records this will have been day one. And it felt good though to get there, personally. Even if the record didn’t do well, I feel like I’ve achieved something already.”
If this is a new start for the Gaslight Anthem chief, it’s quite a statement to begin with. Local Honey is eight songs but feels complete because its writer makes every moment of them count; in place of the punk rock fire of old there’s a restraint and striking honesty that feels just as powerful. But it could only have come from a sea-change in Fallon’s approach as a player and a person.
AN EDUCATION
This story is from the April 2020 edition of Total Guitar.
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This story is from the April 2020 edition of Total Guitar.
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