MAJORS' LEAGUE
Total Film|October 2021
AFTER CONSISTENTLY IMPRESSING IN POWERHOUSE DRAMAS, JONATHAN MAJORS IS GEARING UP FOR WORLD DOMINATION IN THE MARVEL CINEMATIC UNIVERSE AND CREED III. AHEAD OF THE RELEASE OF REVISIONIST WESTERN THE HARDER THEY FALL, TOTAL FILM MEETS THE EFFORTLESS CHARISMATIC MEGASTAR-IN-WAITING.
ANN LEE
MAJORS' LEAGUE

Don’t hide your talent, ever. Ever!’” Jonathan Majors is recounting some advice he got from Spike Lee, his friend, mentor and former director (Da 5 Bloods). Chatting to Total Film over Zoom, a lamp pierces the darkness of the room he’s in, illuminating his features. “That’s one of the things he would say. I remember him telling me: ‘Don’t give me this humble shit… Shine, little brother, shine!’’’ Sage words, which the laid-back 32-year-old actor has taken to heart, both in his personal life and his work.

Majors has the kind of talent that is hard to miss. He wouldn’t have been able to hide it even if he tried. In just a few years, he has emerged as an unstoppable force, a magnetic actor with real gravitas, who is capable of the kind of on-screen alchemy that leaves you completely transfixed. Since graduating from Yale School of Drama in 2016, he has won acclaim for his breakthrough role in The Last Black Man In San Francisco, picked up an Emmy nomination for his performance in HBO’s Lovecraft Country, and landed a massive part in the Marvel Cinematic Universe as Kang the Conqueror (but more on that later...).

His latest film, The Harder They Fall, is a Netflix Western by first-time director Jeymes Samuel that reinvigorates the genre with snarling glee and visual aplomb. Majors plays Nat Love, the real-life Black cowboy who roamed the Wild West under the nickname Deadwood Dick. With the help of his old gang, including his former love, Stagecoach Mary (Zazie Beetz), he sets out to avenge his parents after learning that their killer, Rufus Buck (Idris Elba), has broken out of prison.

This story is from the October 2021 edition of Total Film.

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This story is from the October 2021 edition of Total Film.

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