Since Jon Favreau helmed Iron Man in 2008, Marvel Studios has been fearless in hiring directors not typically associated with blockbusters. Kenneth Branagh, Shane Black and Taika Waititi are just a few of the names you wouldn’t have previously considered for big-budget capes-and-spandex adventures. The latest pleasant surprise in the fold is Chloé Zhao, the Chinese filmmaker known thus far for Songs My Brothers Taught Me, The Rider and Nomadland, the latter earning her Best Director and Best Picture Oscars (among countless other accolades). It makes her the first Best Director Oscar-winner behind an MCU movie, even though her pitch was made just before she hit the road with Frances McDormand.
“I actually pitched Eternals to Kevin [Feige, Marvel Studios President] and Nate [Moore, Vice President of Production and Development] the day before I got into my van and drove to do Nomadland,” Zhao tells Total Film with a laugh. “I remember, as I was leaving, Victoria [Alonso, Executive Vice President of Production] said, ‘Make sure you come back. It’s going to be a long journey.’ I drove away the next morning to the desert.”
Her filmography might mark Zhao out as an unusual choice, given that her films have been defiantly character-driven, naturalistic, intimate affairs, but this garlanded filmmaker is also a proud genre geek. Growing up in China, she didn’t have access to Hollywood movies until her teens (True Lies is the first US movie she remembers seeing). “Earlier on, it was a lot of anime and manga, and also the Chinese wuxia genre of TV shows and things like that,” she recalls. “But my early exposure was definitely like Star Wars and James Cameron’s movies.” Zhao made sure the word got out via her agent that she’d love to do a Marvel Studios movie.
When she did end up getting a meeting, Zhao gravitated towards Eternals, despite not knowing the source material. “I was not familiar with them,” she laughs. “I think not a lot of people are familiar with them.” But she saw something there. “I loved the idea that it’s an ensemble film,” Zhao continues. “And it is a film that allowed me to really explore a lot of the inner struggles and questions that I have about us as human beings, and our place in the universe, and our purpose, and things like identity. When I read the treatment for Eternals, I thought, ‘What an incredible way to explore that in an allegorical and fantastical way,’ which is the type of storytelling that really excites me.”
The scope of Eternals also held its own geeky appeal. “To be a fan of the MCU, and to be able to go back in time to sort of explore the mythology and history of the MCU as a fan, was definitely a treat,” she adds. Ever since casting Robert Downey Jr. as a second-tier superhero back in 2008, Marvel Studios hasn’t been afraid of a hard sell, going on to make heroes of a Norse god, a goateed sorcerer and a trisyllabic space tree. But the title characters in Eternals represent the biggest swing the studio has yet taken with its heroes…
PROTECT AND SERVE
As Zhao sums up the premise, “They’re a group of immortal aliens, really. They came from outer space, they were sent here by the Celestials 7,000 years ago to come and protect humans from the Deviants. We’re going to see this group of people, this family of 10, throughout history, and how they are affected by that experience. They have one more very important mission to do.” Got that? The Celestials are an ancient race outdating most other lifeforms. As seen in the trailer, they’re imposing mechanical-looking giants with glowing red eyes. The Deviants, meanwhile, are monstrous creatures in various beastly forms. Seems they’ve been pretty quiet, for long enough at least for the Eternals to drift apart.
However, when Tony Stark reversed Thanos’ blip and brought back the half of the population that had been wiped out five years earlier, the resulting surge in energy kicked off ‘the emergence’, which seemingly finds the Deviants back on the prowl. Time for the Eternals to stage a reunion. Because the threat levels here are big, even in comparison to Thanos’ finger-snapping genocide. “After Thanos, it does make you think, ‘What else?’” says Zhao. “Again, what excited me is the idea of going back in time, and exploring [the time] before Thanos was born, before anyone was born. Where does the MCU go back in time? And that brings us to the mythology of the Celestials. Anything involving the Celestials is going to be at a huge scale level of complication, let’s put it that way.”
The film will answer the question of why this group of Earth’s so-called protectors didn’t step in as Thanos was amassing Infinity Stones. “[The audience] will understand why,” assures Zhao, “and not only why, but how complicated not interfering made them feel. We explore that. You’ll see that in the film. The Eternals were instructed not to interfere with any human conflict unless Deviants are involved. There’s a reason why that’s the case. And that was the instruction from the prime Celestial Arishem.”
When it came to assembling the ensemble that forms this 10-strong family of unbelievably powerful aliens, Zhao and her team were looking for “unique individuals”. They ended up with one of the most varied and impressive lineups yet seen in a superhero movie, or any blockbuster for that matter, with several characters heavily revised from their comic-book incarnations.
Kevin Feige has previously said, “If there was a lead in this ensemble, it is Sersi, it is Gemma Chan”. Chan actually has Marvel previous, having played Minn-Erva in Captain Marvel.
“The characters in the films couldn’t really be more different,” Chan tells TF over Zoom. “It was a nice surprise to be asked back.” It probably helped that Minn-Erva was killed off (and that the role saw Chan smothered in blue make-up). Chan understands the protagonist comment “because she is the one that has this real connection to human beings, because she is living amongst them – she’s kind of the audience’s way in, I suppose. So it made sense to me, in that way, that she’s your window into relating to these beings.” Chan sees the Eternals as “kind of like a big, slightly dysfunctional family”.
At the head of the family is leader Ajak, played by Salma Hayek. “Chloé decided to take on the concept of leadership from the perspective of motherhood,” says Hayek, a blast of unfiltered energy over Zoom. “I’m not a mother. I’m an alien. I can’t have kids. However, my character used to be a man in the comics, now it’s a woman. So instead of just changing the gender, I proposed to [Zhao] to really bring something that is very specific from womanhood.” Ajak is the mama bear of the group, and that influences her every interaction. “I need to guide them into things,” she explains. “We have a mission in life, in the world. A mother also needs to guide her kids. When they misbehave, she will reprimand them, but always from the perspective of motherhood… There’s an empathy to it – although I’m not allowed to have empathy, because I’m an alien. So that makes it interesting.”
Angelina Jolie makes her superhero debut as warrior Thena in Eternals (she previously appeared in comic-book movie Wanted, but as she says with a laugh, “it wasn’t super”). “Really, it was this particular family of Marvel I wanted to join – this particular group of people, this cast,” she explains. “I really wanted to join that family. And I also was a fan of Chloé’s films. I had a faith that she would bring something special to the MCU.” As for Thena’s role in the family, Jolie is nervous about dropping spoilers. “I have to check my notes about what I’m not allowed to say,” she laughs, looking off to the side of the screen. “You know what’s funny? You read the thing that says what your character is, and you think, ‘Is it [right]? That I’m often ‘surly and aloof’! I suppose she is.”
Continue reading your story on the app
Continue reading your story in the magazine
Michael Winterbottom On Why The UK Isn't Making More Indie Films
Michael Winterbottom is one of Britain’s most prolific film directors, but in his new book he lifts the lid on why it’s so hard to get films made in the UK. Having used the first covid lockdown to interview a who’s who of the country’s auteurs, winterbottom tells total film why the industry often fails to nurture its most promising talent.
He has worked with titans like Fincher and Scorsese, and played Spider-Man. Yet nothing in Andrew Garfield’s remarkable career so far can prepare us for the range of talent displayed in three upcoming movies: Mainstream, tick, tick…BOOM! and The Eyes Of Tammy Faye…
ROMEO + JULIET
Back in October 1996, Baz Luhrmann presented his latest film to journalists – an audacious, modern take on Shakespeare’s Romeo & Juliet. Filmed in Mexico during extreme weather (and with crew kidnappings!), it starred 22-year-old Leonardo DiCaprio and a teenage Claire Danes as the titular star-crossed lovers, and had yet to be seen, let alone embraced, by audiences. As it celebrates its 25th anniversary this year, Total Film looks back to the eve of its premiere (just as DiCaprio began work on Titanic) when the trio discussed language, love and lots of water...
With prequel movie The Many Saints Of Newark about to hit cinemas, Total Film pays respect to modern TV classic THE SOPRANOS, and how a hit show changed the mob genre, long-form storytelling and audience expectations forever.
THE BITE STUFF
DRACULA has been terrifying readers ever since Bram Stoker first created the ultimate vampire. As Bela Lugosi’s screen turn as the bloodsucker celebrates its 90th birthday, Total Film examines the appeal of one of horror’s most enduring icons.
THE HARDER THEY FALL. Jeymes Samuel spotlights the forgotten faces of the American West…
Two young women with big dreams discover that London can be the stuff of nightmares in Edgar Wright’s disturbing, dazzling Last Night In Soho. Total Film cowers on set as Wright terrorises Thomasin McKenzie and Anya Taylor-Joy in the horror event of the year.
SET AROUND A FICTIONAL MAGAZINE, WES ANDERSON’S COMIC ANTHOLOGY THE FRENCH DISPATCH IS A TRIBUTE TO BOTH A BYGONE ERA AND THE WRITTEN WORD. TOTAL FILM LISTENS UP AS THE CAST AND CREW GIVE THE LOW-DOWN ON THE DIRECTOR’S MOST AMBITIOUS MOVIE YET.
AFTER CONSISTENTLY IMPRESSING IN POWERHOUSE DRAMAS, JONATHAN MAJORS IS GEARING UP FOR WORLD DOMINATION IN THE MARVEL CINEMATIC UNIVERSE AND CREED III. AHEAD OF THE RELEASE OF REVISIONIST WESTERN THE HARDER THEY FALL, TOTAL FILM MEETS THE EFFORTLESS CHARISMATIC MEGASTAR-IN-WAITING.
10 IMMORTAL HEROES 7,000 YEARS ONE OSCAR WINNING DIRECTOR MARVEL'S BOLDEST MOVIE YET
THE NEXT MOVIE IN MARVEL’S PHASE 4, ETERNALS IS SET TO BE MARVEL’S BIGGEST S W I N G Y E T . COMBINING MILLENNIA-SPANNING SWEEP WITH INDIE SENSIBILITIES AND ONE OF THE MOST EXCITING ENSEMBLES YET ASSEMBLED FOR A SUPERHERO FILM, CHLOÉ ZHAO’S SUPER-FAMILY EPIC COULD CHANGE THE COMIC-BOOK MOVIE LANDSCAPE FOREVER.
Kumail Nanjiani's Feelings
The actor always wanted his own superhero transformation. Now he’s buff, a Marvel star, and struggling with how much of his new body is his own.
RESEARCHERS COMPLETE FIRST-EVER DETAILED MAP OF GLOBAL CORAL
Researchers have completed a comprehensive online map of the world’s coral reefs by using more than 2 million satellite images from across the globe.
days of our lives
A Land Away From Time
Channel Islands National Park is a window into California’s wild past.
Y&R: MARIAH GOES INTO LABOR — AND IS FOUND!
The search for Mariah is officially underway, and everyone is hoping for a break in the case.
Welcome the Scents of Summer
Spritz, spray, layer, and repeat.
From lime lacquer to raging fuchsia, these colors are lightning in a bottle.
Best in the West
TV star, rapper, singer, songwriter, actress and model—Chanel West Coast does it all
My special passion as a photographer is for free artistic projects, like in this featured series. I got in touch with Alina, the makeup artist, through a Facebook community.
How to Cash In on the Final Frontier
Most space-themed investments are moonshots. Use our stock and fund picks to bet on space exploration.