Adding A Dash Of Colour To Picasso's Story
Colourist Pankaj Bajpai from Encore in Hollywood, used Baselight to give the perfect look for National Geographic’s Genius: Picasso.
Zeiss Propels A Multi-City Launch, For Its Supreme Prime Lenses
Zeiss chooses to walk down to customers in each city, to launch their premium Supreme Prime Lenses family.
Making Sense Of The Storage Terms
SAN, NAS, LTO, Object – what do these storage terms mean? Nick Pearce-Tomenius, sales and marketing director of Object Matrix demystifies these technologies.
Back Of The Net
Moscow-based satellite broadcaster, Football Channel, has upgrades to HD with PlayBox Technology Neo.
The Triumvirate Gains Strength
The newly launched NXTAsia will join the trio of BroadcastAsia, ConnecTechAsia, and CommunicAsia to address the role of accelerated digital change in Asia’s growing economy
The Strong Connect
We present the latest technologies in cables and connectors, owing to their pivotal role in the transmission of data in the broadcast business
From a music cassette company in the 1980s to an entertainment conglomerate, T-Series has come a long way under the guidance of its CMD, Bhushan Kumar.
Understanding a director’s needs, close interaction with clients, and having a clear vision of what the final result should look like is how Makarand Surte, senior colourist is helping Redchillies.Color stay leagues ahead of competition
DOP Oleg Mutu RCS worked with colourist Claudiu Doaga to create a cold metallic look for the gritty Ukrainian movie Donbass. And just in time to premiere it at the Cannes Film Festival
An Industry In Transition
In a rapidly evolving industry, we find out whether a holy grail of technologies exists that companies need to keep pace with, in order to lead the M&E bandwagon
A Camera's Best Accomplices
Industry experts pay as much attention to the selection of their camera accessories as they do to their cameras; which calls for a deep dive into the world of these enablers
Sports At-Home Production: Nep Australia's Andrews Production Hub Up And Running
With opening the facilities in Sydney and Melbourne in February and March 2018, NEP Australia’s Andrews Hub, an all-IP production facility connected to more than 29 stadia across the continent, started production. Andrews Hub lays the foundation for a new era of sports production in Australia and is set to serve as a blueprint for cost-efficient and scalable live sports production for the rest of the world.
Truth And Dare
In recognition of its newest partnerships, Harris Morris, chairman and CEO of Wazee Digital hosted a casual Q&A session with Phil Lalonde, senior VP, ad sales, Viacom Media Networks during 2018 NAB Show
Still Good In The Hood
While the 2018 NAB Show showed how technologies like machine learning and artificial intelligence could transform the media industry, the underlined message was that content still reigns.
Ross Video Unveils Upgraded Acuity, Carbonite Switchers
NAB 2018 also saw the release of the latest versions of Ross Video’s flagship Acuity production switcher and Carbonite switcher.
Reinventing Sports Broadcasting For OTT
Alan Young, COO, Crystal tells Vinita Bhatia how broadcasters can increase the value of delivering sports content on OTT platforms using metadata and AI technology
Increasing Viewing Area At Multi-Display Workstations
These KVM extenders provide performance at 4K 60Hz with 30 bit 4:4:4 colour depth
Imagine Communications Assists Fiji Television With Broadcast Facility Upgrade
BROADCASTER MAKES MOVE TO GREENFIELD SITE WITHOUT DISRUPTING OPERATIONS
California’s Starwest Studios partnered with Litepanels, which set up an array of 50 lighting solutions for the combination dance studio and broadcast production facility.
Global Esports Revenue Was $1.5B For 2017
It is expected to grow 26% by 2020 as it attracts an even more mainstream audience
Cinematographer Rachel Morrison, ASC and colourist Maxine Gervais collaborated to create indelible scenes in Black Panther that viewers have come to associate with Marvel productions
Business models for broadcasters are not what they used to be.
Golf Channel Tees Up Lawo For Production
In 2016, Golf Channel reached a decision to begin implementing a transition strategy for the future.
VSN Presents New Video Editing Tools For Media Asset Management At Nab 2018
VSN is bringing an even more powerful version of its Media Asset Management (MAM) software, VSNExplorer MAM, to NAB Show 2018 (booth SL 8006) in Las Vegas, NV. VSNExplorer MAM now incorporates the 100% web-based editing tool Wedit with brand-new functionalities such as voiceover capability. Wedit’s features are also fully available in the cloud to ensure maximum flexibility for users.
On The Radar Screen
The latest technology developments in production monitors are making them more user-friendly, yet cost-efficient, striking the balance to become effective in post-production activities
244 first-time exhibitors will join a variety of exhibitors on the nearly one million square feet of space that comprises 2018 NAB Show
TV3 Selects Object Matrix Archival Solution
Tyrell, Object Matrix Deliver Petabyte of Media-focused Private Cloud Storage to Tv3
Think Automation. Think Clear.
Automated Work Order Management is the key to drive efficiencies and reduce costs in media and entertainment
Scaling Digital Heights
The media and entertainment industry grew by almost 13% in 2017 to reach INR 1.5 trillion, according to the FICCI - EY report 2018
Netflix Names Three New Originals From India
The Storytelling Slate Ranges From Drama to Horror to Mystery