Fun factory
MSoundFactory is the new kid on the plugin creation block, although it’s been around for a couple of years now. The easiest way to describe it is with the cover-all title of ‘modular instrument’ which features everything from sampling to synthesis, and that offers everything from individual building blocks right up to complete plugins. The thinking behind MSF, Melda say, is that this will be the company’s last plugin because literally everything they develop now, will come from it. You will, they say, need just one plugin to rule them all, and this is it. “A single instrument that does it all,” they say, in a slightly Tolkien-esque way.
Melda are also hoping more third-party companies will join the MSoundFactory party, and the plugin currently comes in three flavours: MSoundFactoryLE (£84) provides all the MSoundFactory sounds, but it doesn’t let you access the edit screen; MSoundFactory (full, £265, although £170 as we write this) gives you all the edit facilities you need to make your own sounds and plugins; and finally MSoundFactoryPlayer, which is free (and which MSoundFactory defaults to after the 15-day trial period), which offers limited instruments (including MonasteryGrand) and sounds from third-party plugins. We’re focussing on the full version here which you can download and use by following the mini tutorial below.
Instrument or creator?
This story is from the August 2021 edition of Computer Music.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the August 2021 edition of Computer Music.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
BLEASS Arpeggiator
Classic synth-based arpeggiators' up-down patterns can be tedious, says Stuart Adams. Can Arpeggiator bring the variability he craves?
Synthogy Ivory 3 German D
One of the most highly regarded piano libraries around gets an update. Does it strike a chord with our reviewer, Herr Roland Schmidt?
MODALICS BITFUZZER
Distortion can be a great effect for enlivening and mashing up sounds, and this month we've got you a plugin that can do both
RADICAL RHYTHMS
From pepping up basic grooves to creating full-on 4/4-flouting madness, learn a multitude of timing tricks with our classic guide
SEDIBUS
Detaching from The Orb mothership, Sedibus is the latest project of core figurehead Alex Paterson, accompanied by former Orb-member and key creative collaborator Andy Falconer. With a studio shorthand and a shared passion for flourishing ambient textures, the pair's second record SETI gazes skyward for its inspiration. We spoke to Andy to learn more...
Sidechain compression
Sidechain compression is an excellent mixing tool and in this tutorial we pick apart this essential process
How to make a rave-style techno track
Prepare to get fists in the air as we learn the tools, tricks and tempos for nailing the basics of rave-ready techno
Make a filter kick bass with BazilleCM
Following our deep-dive into the oscillator section of BazilleCM, we follow the signal flow to create a filter-thumping bass sound
MARIA W HORN
An avid explorer of sound's spectral properties, Maria W Horn's work realises the potential of long-forgotten spaces. Via instrumental textures, room responses, the human voice and a specialised computer language, she synthesises entirely new sonics. We heard more about her processes and the at-times chilling story behind her affecting new album, Panoptikon
THE ULTIMATE GUIDE TO CREATIVE REVERB
Reverb has been relied on for its evocative sonic character ever since the first homo sapien warbled expletives into a dark cave. The transformative power of space is still a vital mix ingredient