EFTERKLANG
Computer Music|January 2022
Producer Mads Brauer explains how the experimental Danish trio have gone back to basics for their latest album – and back to nature…
Mads Brauer
EFTERKLANG
Mads Brauer’s Copenhagen home isn’t far from the beach. Even in the middle of this busy, 21st century city with its 10 million tourists, he likes the idea that there is still a small connection with nature.

“Something as simple as the smell of the sea can make that connection for me,” explains ‘electronics’ chief Brauer. “The salty air… the strong breeze. Without it, I think the music of Efterklang would suffer.”

Along with Casper Clausen and Rasmus Stolberg, Brauer is part of the core trio that has existed at the heart of Efterklang for 20 years. The experimental soundscapers have been friends since school, growing up in a preinternet rural Denmark that was dominated by the Top 40 and daytime radio.

“When you think back, it’s amazing how limited our access to music was,” remembers Brauer. “The only alternative music I got to hear was grunge when Nirvana became huge. At the time, I was playing the guitar, so I was at least able to have some fun. Turn up the amp and make some noise.

“We were just young kids who didn’t really know too much about all the other music that was out there in the world. It sounds kinda scary, really. All this music was happening, but we didn’t know about it. It was only after we all moved to Copenhagen when I was 18 that things started to change. Suddenly, we had more record shops and clubs to choose from, and the internet was beginning to give everyone access to music from around the world.

This story is from the January 2022 edition of Computer Music.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the January 2022 edition of Computer Music.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM COMPUTER MUSICView All
BLEASS Arpeggiator
Computer Music

BLEASS Arpeggiator

Classic synth-based arpeggiators' up-down patterns can be tedious, says Stuart Adams. Can Arpeggiator bring the variability he craves?

time-read
3 mins  |
May 2024
Synthogy Ivory 3 German D
Computer Music

Synthogy Ivory 3 German D

One of the most highly regarded piano libraries around gets an update. Does it strike a chord with our reviewer, Herr Roland Schmidt?

time-read
3 mins  |
May 2024
MODALICS BITFUZZER
Computer Music

MODALICS BITFUZZER

Distortion can be a great effect for enlivening and mashing up sounds, and this month we've got you a plugin that can do both

time-read
1 min  |
May 2024
RADICAL RHYTHMS
Computer Music

RADICAL RHYTHMS

From pepping up basic grooves to creating full-on 4/4-flouting madness, learn a multitude of timing tricks with our classic guide

time-read
5 mins  |
May 2024
SEDIBUS
Computer Music

SEDIBUS

Detaching from The Orb mothership, Sedibus is the latest project of core figurehead Alex Paterson, accompanied by former Orb-member and key creative collaborator Andy Falconer. With a studio shorthand and a shared passion for flourishing ambient textures, the pair's second record SETI gazes skyward for its inspiration. We spoke to Andy to learn more...

time-read
10 mins  |
May 2024
Sidechain compression
Computer Music

Sidechain compression

Sidechain compression is an excellent mixing tool and in this tutorial we pick apart this essential process

time-read
4 mins  |
May 2024
How to make a rave-style techno track
Computer Music

How to make a rave-style techno track

Prepare to get fists in the air as we learn the tools, tricks and tempos for nailing the basics of rave-ready techno

time-read
4 mins  |
May 2024
Make a filter kick bass with BazilleCM
Computer Music

Make a filter kick bass with BazilleCM

Following our deep-dive into the oscillator section of BazilleCM, we follow the signal flow to create a filter-thumping bass sound

time-read
5 mins  |
May 2024
MARIA W HORN
Computer Music

MARIA W HORN

An avid explorer of sound's spectral properties, Maria W Horn's work realises the potential of long-forgotten spaces. Via instrumental textures, room responses, the human voice and a specialised computer language, she synthesises entirely new sonics. We heard more about her processes and the at-times chilling story behind her affecting new album, Panoptikon

time-read
9 mins  |
May 2024
THE ULTIMATE GUIDE TO CREATIVE REVERB
Computer Music

THE ULTIMATE GUIDE TO CREATIVE REVERB

Reverb has been relied on for its evocative sonic character ever since the first homo sapien warbled expletives into a dark cave. The transformative power of space is still a vital mix ingredient

time-read
5 mins  |
May 2024