#01 Creative basslines
Computer Music|April 2022
In this tutorial you’ll learn how bass can be so much more than a rhythm instrument as we delve into that low end
Ashley Thorpe
#01 Creative basslines

When a lot of people start out in electronic music, it’s very easy for them to see the bass as a means to an end rather than a creative force in a track. Everyone is different in how they approach a song – maybe you’ll have a melody or set of chords in your head first, or maybe you’ll have a drum loop or track down as your foundation. For many, it’s simple just to use bass as chords to accompany the melody. But with the right bass sound and basslines for your electronic track, you can really elevate your music.

Bass is firstly there in your music to add depth. Across the frequency spectrum, bass covers the low end along with the kick drum. If you removed the bass from electronic music, songs just wouldn’t feel right. What is drum & bass without bass? What would modern hip-hop and trap be without 808s? How would dance music move you without a driving bassline?

In this tutorial I’ll breakdown some bass sounds, styles and methods that you can try at home to use bass as a more versatile instrument. You might be using a synth or MIDI keyboard to record your basslines, but you have the freedom to select just about any bass sound you like – including that of an electric bass or an upright bass. You can have a lot of fun, be creative and most importantly create amazing bass parts.

Step by step

1. Getting versatile

1 Let's assume that you're starting with your own melody or a sample. Step one is finding the key signature of your song so that you can record the bassline to match it. Many of the DAWs will have a tool for this if you don't have a music theory background.

This story is from the April 2022 edition of Computer Music.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the April 2022 edition of Computer Music.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM COMPUTER MUSICView All
BLEASS Arpeggiator
Computer Music

BLEASS Arpeggiator

Classic synth-based arpeggiators' up-down patterns can be tedious, says Stuart Adams. Can Arpeggiator bring the variability he craves?

time-read
3 mins  |
May 2024
Synthogy Ivory 3 German D
Computer Music

Synthogy Ivory 3 German D

One of the most highly regarded piano libraries around gets an update. Does it strike a chord with our reviewer, Herr Roland Schmidt?

time-read
3 mins  |
May 2024
MODALICS BITFUZZER
Computer Music

MODALICS BITFUZZER

Distortion can be a great effect for enlivening and mashing up sounds, and this month we've got you a plugin that can do both

time-read
1 min  |
May 2024
RADICAL RHYTHMS
Computer Music

RADICAL RHYTHMS

From pepping up basic grooves to creating full-on 4/4-flouting madness, learn a multitude of timing tricks with our classic guide

time-read
5 mins  |
May 2024
SEDIBUS
Computer Music

SEDIBUS

Detaching from The Orb mothership, Sedibus is the latest project of core figurehead Alex Paterson, accompanied by former Orb-member and key creative collaborator Andy Falconer. With a studio shorthand and a shared passion for flourishing ambient textures, the pair's second record SETI gazes skyward for its inspiration. We spoke to Andy to learn more...

time-read
10 mins  |
May 2024
Sidechain compression
Computer Music

Sidechain compression

Sidechain compression is an excellent mixing tool and in this tutorial we pick apart this essential process

time-read
4 mins  |
May 2024
How to make a rave-style techno track
Computer Music

How to make a rave-style techno track

Prepare to get fists in the air as we learn the tools, tricks and tempos for nailing the basics of rave-ready techno

time-read
4 mins  |
May 2024
Make a filter kick bass with BazilleCM
Computer Music

Make a filter kick bass with BazilleCM

Following our deep-dive into the oscillator section of BazilleCM, we follow the signal flow to create a filter-thumping bass sound

time-read
5 mins  |
May 2024
MARIA W HORN
Computer Music

MARIA W HORN

An avid explorer of sound's spectral properties, Maria W Horn's work realises the potential of long-forgotten spaces. Via instrumental textures, room responses, the human voice and a specialised computer language, she synthesises entirely new sonics. We heard more about her processes and the at-times chilling story behind her affecting new album, Panoptikon

time-read
9 mins  |
May 2024
THE ULTIMATE GUIDE TO CREATIVE REVERB
Computer Music

THE ULTIMATE GUIDE TO CREATIVE REVERB

Reverb has been relied on for its evocative sonic character ever since the first homo sapien warbled expletives into a dark cave. The transformative power of space is still a vital mix ingredient

time-read
5 mins  |
May 2024