There are many elements in Nicolas Party’s work that justify the princely position and reputation he’s built so swiftly. We could begin with a deft interpretation of classic visual imagery. From still lifes to portraits and busts, to grottos and landscapes, his prolific oeuvre is firmly rooted in traditional art. Or we can talk about the immersive experiences he has conceived and built, transcending the ubiquitous white cube into theatrical presentations. Then there is also his skilled fondness for the unfairly neglected medium that is soft pastel, all of this encompassing a wide-ranging practice of drawing, painting, sculpture, installation, ceramics, and his own brand of performance. His iconic sculptures and unique pictures can convey the venerable patina of an ancient culture or the futuristic rendering of a utopian vision of the future. His enveloping installations and presentations pack up a singular and unforgettable experience.
Sasha Bogojev: I want to start with the most obvious question about the transformation of spaces. What are the roots of your fascination?
This story is from the Fall 2020 edition of JUXTAPOZ.
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This story is from the Fall 2020 edition of JUXTAPOZ.
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