Raised in the eastern suburbs of Paris, abstract painter Julie Curtiss stands firm in her belief that the Covid-19 pandemic has forced people to look at themselves. While she’s adamant that the rippling effect of the devastation taking place in 2020-2021 is temporary, she claims people can’t understand what’s happening collectively without looking inward—and that perhaps, by taking the time to self-reflect while stuck at home, we can pave the way for a better-informed and more connected future. Let it be said that the New York-based artist isn’t political in the broad sense of the term. Her work is rooted in the female identity, focusing on vibrant close-up paintings zoomed in so close the viewer inevitably becomes lost in her largescale canvases. Showcasing the fine line between inspiring ideas and summoning questions, Curtiss creates both overwhelming nuance and in-your face specificity that jointly encourage observers to project their own experiences into the art they’ve come to appreciate. Ambiguity is key, along with the paradox of the human experience. These, of course, are pillars of Curtiss’s work.
This story is from the Fall 2021 edition of JUXTAPOZ.
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This story is from the Fall 2021 edition of JUXTAPOZ.
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