Teapot I, oil and acrylic on paper, 22 x 15" (55 x 38 cm) I made this painting in 2017, but it feels like a lifetime ago. With this piece in particular, I felt that I had turned a corner in painting realism that set me on a path to where I am today. The teapot is painted in thinned-down oils, which is why many people mistake it for being a watercolor painting.
This story is from the December 2021 - January 2022 edition of International Artist.
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This story is from the December 2021 - January 2022 edition of International Artist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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Intrigue in the ordinary
I've \"'ve never had any formal training always had a strong attraction to the arts and the practice of painting
Paper Textures
John Lovett guides us through the varying properties of different watercolor surfaces
Creating Ambiance
Mona Parker Weidner selects colors palettes and light sources that emphasize the mood of her interior scenes
Visual Depth
Blending and smoothing with solvents, Holly Siniscal creates painterly portraits in colored pencil
Sharp Precision
Working with craft blades and tattoo needles, Conor Smith etches realistic renderings of wildlife
The architecture of water
When Then I moved from Toronto to a tiny community in Nova Scotia, I became fascinated by the ocean, its reflections and endlessly shifting patterns of color and light
Saturated World
Emphasizing the beauty of nature, Joe A. Oakes paints landscapes with warm colors and imaginative compositions
Pure Bliss
Working alla prima, Andreas Liss takes on a loose, unbridled approach in his artwork
Sculpting the Paint
Using a palette knife allows oil painter Maria Iva to create clean colors and rich textures
Forwad MOMENTUM
Artist Lisa Gleim shares the evolution of her career and how she grew into her preferred medium of pastels
