Shared Joy
International Artist|April - May 2022
Claudia Hartley chats with Scottsdale Artists' School about her roots as an artist and instructor
Shared Joy

SCOTTSDALE ARTISTS' SCHOOL:

What is your first memory of making art?

CLAUDIA HARTLEY: My mother said it began when I could hold something in my hand. My childhood was spent drawing and coloring. The best present I ever received was a large box of Crayola crayons. My favorite colors were Prussian blue and turquoise.

SAS: When did you begin to pursue art as a career?

CH: My original goal was to be an art professor. I attended the University of Georgia and received a BFA in painting and drawing. In the '60s it was the best art school in the South. Painting classes were experimental with lots of freedom. Realism was considered bad—everything was about being modern. I got married and started a family, so my graduate work was put on hold. I was accepted by two galleries in Atlanta. I taught art in our home, headed up a volunteer art program at my kid's school and painted part time. It was 20 years later, after my divorce, that I began painting as a full-time career.

Claudia Hartley, Sunset Reflection, acrylic, 16 x 20 (40 x 50 cm)

SAS: Tell us some things people don't know about you.

This story is from the April - May 2022 edition of International Artist.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the April - May 2022 edition of International Artist.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM INTERNATIONAL ARTISTView All
Intrigue in the ordinary
International Artist

Intrigue in the ordinary

I've \"'ve never had any formal training always had a strong attraction to the arts and the practice of painting

time-read
1 min  |
August/September 2023
Paper Textures
International Artist

Paper Textures

John Lovett guides us through the varying properties of different watercolor surfaces

time-read
5 mins  |
August/September 2023
Creating Ambiance
International Artist

Creating Ambiance

Mona Parker Weidner selects colors palettes and light sources that emphasize the mood of her interior scenes

time-read
2 mins  |
August/September 2023
Visual Depth
International Artist

Visual Depth

Blending and smoothing with solvents, Holly Siniscal creates painterly portraits in colored pencil

time-read
2 mins  |
August/September 2023
Sharp Precision
International Artist

Sharp Precision

Working with craft blades and tattoo needles, Conor Smith etches realistic renderings of wildlife

time-read
4 mins  |
August/September 2023
The architecture of water
International Artist

The architecture of water

When Then I moved from Toronto to a tiny community in Nova Scotia, I became fascinated by the ocean, its reflections and endlessly shifting patterns of color and light

time-read
1 min  |
August/September 2023
Saturated World
International Artist

Saturated World

Emphasizing the beauty of nature, Joe A. Oakes paints landscapes with warm colors and imaginative compositions

time-read
2 mins  |
August/September 2023
Pure Bliss
International Artist

Pure Bliss

Working alla prima, Andreas Liss takes on a loose, unbridled approach in his artwork

time-read
2 mins  |
August/September 2023
Sculpting the Paint
International Artist

Sculpting the Paint

Using a palette knife allows oil painter Maria Iva to create clean colors and rich textures

time-read
3 mins  |
August/September 2023
Forwad MOMENTUM
International Artist

Forwad MOMENTUM

Artist Lisa Gleim shares the evolution of her career and how she grew into her preferred medium of pastels

time-read
4 mins  |
August/September 2023