Ethereal quality
International Artist|December 2021 - January 2022
I use my work to explore my relationship with the landscape and the feelings of peaceful solitude and contemplative awe. I carry these emotions when I am surrounded by beautiful scenery. It's what I seek to express in my paintings. Watercolor lends itself perfectly to this task due to its ethereal and delicate nature.
Anastasia Mily
Ethereal quality

One Day, watercolor, 10 x 14" (25 x 35 cm) I let my pigments flow freely in the initial stages of this painting, which helped convey the feeling of freedom and peace we experience while being in nature on a cool autumn day. The granulation of sodalite genuine created an impression of a distant waterfall. A wide range of values and the many areas of pure white of the paper fill the scene with atmosphere. The splatters, the use of a small brush to paint the grass, the drips of paint and the brilliance of cobalt teal blue, all bring interest to the foreground.

The Storm Has Passed, watercolor, 7 x 10" (17 x 25 cm) I am always drawn to stormy skies. The selection of calm, darker blues on my palette (indigo, sodalite genuine, Payne's gray) is perfect for painting those dramatic clouds. I used the balance of the lights and the darks, the lost and found edges, and the triadic color scheme of subdued primaries to guide my viewer's eye through the scene and to create a quiet but happy mood. The red rowboat, highlighted by a sun emerging after the storm, creates a perfect focal point and a sense of hope.

This story is from the December 2021 - January 2022 edition of International Artist.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the December 2021 - January 2022 edition of International Artist.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM INTERNATIONAL ARTISTView All
Intrigue in the ordinary
International Artist

Intrigue in the ordinary

I've \"'ve never had any formal training always had a strong attraction to the arts and the practice of painting

time-read
1 min  |
August/September 2023
Paper Textures
International Artist

Paper Textures

John Lovett guides us through the varying properties of different watercolor surfaces

time-read
5 mins  |
August/September 2023
Creating Ambiance
International Artist

Creating Ambiance

Mona Parker Weidner selects colors palettes and light sources that emphasize the mood of her interior scenes

time-read
2 mins  |
August/September 2023
Visual Depth
International Artist

Visual Depth

Blending and smoothing with solvents, Holly Siniscal creates painterly portraits in colored pencil

time-read
2 mins  |
August/September 2023
Sharp Precision
International Artist

Sharp Precision

Working with craft blades and tattoo needles, Conor Smith etches realistic renderings of wildlife

time-read
4 mins  |
August/September 2023
The architecture of water
International Artist

The architecture of water

When Then I moved from Toronto to a tiny community in Nova Scotia, I became fascinated by the ocean, its reflections and endlessly shifting patterns of color and light

time-read
1 min  |
August/September 2023
Saturated World
International Artist

Saturated World

Emphasizing the beauty of nature, Joe A. Oakes paints landscapes with warm colors and imaginative compositions

time-read
2 mins  |
August/September 2023
Pure Bliss
International Artist

Pure Bliss

Working alla prima, Andreas Liss takes on a loose, unbridled approach in his artwork

time-read
2 mins  |
August/September 2023
Sculpting the Paint
International Artist

Sculpting the Paint

Using a palette knife allows oil painter Maria Iva to create clean colors and rich textures

time-read
3 mins  |
August/September 2023
Forwad MOMENTUM
International Artist

Forwad MOMENTUM

Artist Lisa Gleim shares the evolution of her career and how she grew into her preferred medium of pastels

time-read
4 mins  |
August/September 2023