The three brothers all attended St. Louis public schools, and every summer the family rented a cabin in the Ozark Mountains, where the boys developed a life-long love of fishing and camping.
In June of 1911, after having completed his junior year at a St. Louis high school, Warren Baumgartner quit school and entered the workforce as a staff artist at a lithographic shop that produced newspaper advertising.
On June 19, 1915, Warren Baumgartner (age 21) married Sophia Haverkamp (age 18). She was born March 10, 1897, in St. Louis, and lived at 223 West Stein Street. She had left her schooling after completing the eighth grade. Her father was Frank Haverkamp (b. 1859), and her mother was Sophia Kendel (b. 1860). Both of her parents were German immigrants. Her father worked as an unskilled laborer.
After their wedding, the newlyweds left St. Louis and moved to Chicago where they lived at a lodging house at 4601 Michigan Avenue. Warren Baumgartner worked for the Lord & Thomas Advertising Agency in the Mallers Building on the southeast corner of Madison Street and Wabash Avenue.
In 1917, during the Great War, Warren Baumgartner (age 23) joined the navy. His draft registration card described him as tall, slender, with brown eyes and black hair.
After armistice was declared on November 11, 1918, Baumgartner was discharged from military service and resumed his commercial art career in Chicago at the Lord & Thomas advertising agency. He also began to take night classes at the Art Institute of Chicago, where he studied with Wellington J. Reynolds (18 65-1949), who had studied painting in Munich and been awarded medals at Paris Salons for his portrait paintings.
In the 1920s, Warren Baumgartner moved up the ladder at several different Chicago advertising agencies. He left Lord & Thomas for the Charles Daniel Frey Company and then worked for the Ansden Studio until he joined the staff of the Burleigh Withers Company, where he created automotive advertisements.'
On June 1, 1927, Warren and Sophia Baumgartner traveled on the Steam Ship Aurania to England, where they visited the art museums of London. They were accompanied on the trip by Mr. & Mrs. Frank Bensing (1893-1983), who was another successful advertising artist. They then traveled to France and visited the art museums of Paris. They returned on August 19, 1927, on the Steam Ship Tuscania to NYC.
In 1928, Mr. & Mrs. Warren Baumgartner left Chicago and moved to Detroit, Michigan, which at that time was the third most important center of national advertising, thanks to the phenomenal growth of the automotive industry. He and his wife lived at 3375 Collingwood Street, while he worked full time at a commercial art studio.
On August 2, 1930, their son Warren Francis Baumgartner was born in Detroit. He was their first and only child. At that exact moment, all hell was breaking loose on the advertising industry. The Great Depression had begun and the banking system was no longer able to extend loans to manufacturers, which devastated American industries and most of their advertising budgets. That drove newspapers and magazines, which depended on income from advertising, into debt, which forced advertising artists to look for other sources of income. So in 1933, the Baumgartners left Detroit and moved to New York City.
Their apartment was a rooming house at 15 West 57th Street, which is one block away from the Art Students League. Instead of working a steady job as a staff artist, Warren Baumgartner looked for work as a freelance artist. He also continued his studies by taking night classes at the Art Students League, as well as at the Grand Central School of Art, where he studied with Pruett Carter (1891-1955) and Walter Biggs (1886-1968).
Baumgartner found work with such NYC publishers as The Pictorial Review and The American Magazine and was soon illustrating stories for Collier’s, Cosmopolitan, Redbook, The Saturday Evening Post, and Woman’s Home Companion.
Continue reading your story on the app
Continue reading your story in the magazine
ROBERT OSONITSCH: The Illustrator's Photographer
A few of the major illustrators during the time of Steve Holland’s reign as king of the paperback covers shot their own reference photos.
THE ART OF ZOË MOZERT
Zoë Mozert was born Alice Adelaide Moser in Colorado Springs, Colorado, on April 27, 1907. Her father was Fred William Moser, a mechanical engineer of German ancestry, and her mother was Jessie Mable Hatfield of Ohio.
ART FITZPATRICK & VAN KAUFMAN
AF/VK. These four initials were my only clue as to the source of the fantastic Pontiac ad illustrations I found in my dad’s old National Geographic magazines.
STEVE HOLLAND: The World's Greatest Illustration Art Model
Thomas Steven Holland was born January 8, 1925, in Seattle Washington, and died on May 10, 1997, at age 72 in Humboldt County, California following a brief illness. He was married three times and had two children from his first marriage, a son named Claude and a daughter, Nicole.
THE PULP ART OF PETER DRIBEN
Pulp magazines covered numerous genres, including fantasy, crime, Westerns, science-fiction, horror, action, and war. Cover art designs ran the gamut, but often many would feature half-naked young women—there was even a genre devoted exclusively to the subject—the girlie pulps.
MORTON ROBERTS: A Brief Life at Yale
Morton Roberts was one of the rising stars in the late 50's and early 60's.
THE ART OF JOE BOWLER
American painter and illustrator Joe Bowler and his creations
THE ART OF ROGER KASTEL
An American artist, most famous for creating the poster for the film Jaws
It's the shark that gets them.
Movies that made us to watch again and again
THE ART OF NEYSA MCMEIN
Margary Edna McMein was born in Quincy, Illinois on January 25, 1888. (Various sources list her date of birth as 1890, and a few as 1889—once McMein moved to New York she decided to trim a few years from her age.)
DANIEL BOONE'S YELLOW STONE HUNT
FACT OR FICTION?
The First City of the Sunflower State celebrates its Western heritage.
Law and Order on the Overland Trails
Each traveler was a marching ordnance department.
Rule the School: Boards of Control
Our long history of letting white Americans veto racial progress in education
I said my first words in a bar—“orange sody.” I eventually outgrew my love of Whistle orange soda, but I have a lifelong interest in bars.
Overland Trails: Fur Trappers to Pony Express Riders
ENJOY THE ADVENTURE AND HISTORICAL SITES BETWEEN ST. LOUIS AND FORT LARAMIE.
CARRY YOUR KIT WITH CONFIDENCE
TUFF POSSUM GEAR LETS YOU FOCUS ON THE ADVENTURE.
KID MAGICIANS CAGED IN CUSTODY BRAWL
THE shocking arrest and lockup of two teen “America’s Got Talent” contestants for refusing to return to their mother amid a bitter custody dispute has sparked outrage from friends, family and legal experts consulted by The National ENQUIRER!
The Christmas Clock
It was December 2012, a week before Christmas. I was sitting alone at my kitchen table in Missouri, watching the hands of my Christmas clock tick toward the hour. I was waiting to hear it play “Silent Night,” which it did every night at 11 o’clock. The tune always lifted my spirits. But the second hand passed the hour mark without a peep. My heart sank. The music mechanism must have broken. You couldn’t have picked a better metaphor for my life—I kept on ticking, but the joy was missing.
Field Trip Findings: Gaining More Than Mineral Specimens