Katia Kameli's Algerian Novel
ArtReview UK|Summer 2022
A visual history of the unseen and the unspoken
Louise Darblay
Katia Kameli's Algerian Novel

"There is not occupation of territory, on the one hand, and independence of persons on the other,' radical theorist Frantz Fanon wrote in A Dying Colonialism (1959), to describe what violence settler colonialism did to Algerians' sense of self. 'It is the country as a whole, its history, its daily pulsation that are contested, disfigured.' This year, Algeria (and its former coloniser) celebrated 60 years since it reclaimed its independence, and while the trauma of colonisation is giving way to a more peaceful memory, the country's ensuing attempts at a nation-building project have been plagued by corrupt politicians, military interference, censorship - and a bloody civil war. Decades of regressive and repressive politics led to an unprecedented countrywide protest movement, the Hirak, which in 2019 took to the streets to oppose President Abdelaziz Bouteflika's candidacy for a fifth presidential term and demand the reform of the whole political system into a democratic one. The contested election of Abdelmadjid Tebboune as president that same year has resulted in an increased crackdown on the movement, with the arrest of hundreds of activists, journalists and politicians.

This story is from the Summer 2022 edition of ArtReview UK.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the Summer 2022 edition of ArtReview UK.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM ARTREVIEW UKView All
"One day this boy..."
ArtReview

"One day this boy..."

How David Wojnarowicz gave me life

time-read
6 mins  |
September 2023
Art Encounters Biennial My Rhino is Not a Myth: art science fictions
ArtReview

Art Encounters Biennial My Rhino is Not a Myth: art science fictions

Various venues, Timişoara 19 May-16 July

time-read
3 mins  |
September 2023
Southern Discomfort
ArtReview

Southern Discomfort

A series of upcoming biennials promise to explore the art of the 'Global South'. But what does that mean? And is the term of any practical use?

time-read
7 mins  |
September 2023
Casey Reas
ArtReview

Casey Reas

Crypto has crashed and burned, but NFT visual culture is the better for it, and here's why, says the pioneering artist and programmer

time-read
10 mins  |
September 2023
Isabelle Frances McGuire
ArtReview

Isabelle Frances McGuire

Through kitbashing and the hacking of readymades, an artist explores what digital visual culture might look like in material form

time-read
6 mins  |
September 2023
No pain, no gain?
ArtReview

No pain, no gain?

What's primary about Matthew Barney's SECONDARY

time-read
8 mins  |
September 2023
Fine Young Cannibals
ArtReview

Fine Young Cannibals

A spate of recent glitzy films have asked us to eat the rich. But what, asks Amber Husain, are we really swallowing?

time-read
3 mins  |
September 2023
Mutant Media
ArtReview

Mutant Media

Animation and gaming design studios aren’t just for entertainment, claims Jamie Sutcliffe, they’re a geneticist’s lab for producing our spliced bio- cybernetic future

time-read
4 mins  |
September 2023
Midcareerism
ArtReview

Midcareerism

What's an artist to do when no longer dewy and not yet long in the tooth? Martin Herbert surveys the options, none of them pretty

time-read
3 mins  |
September 2023
Diego Marcon
ArtReview

Diego Marcon

\"In general when I work, it's not like I'm looking for something and I find moles, it's more like moles find me, they pop up. I don't know why, I just try to remain open to these kinds of visit\"

time-read
10+ mins  |
September 2023