All art fairs having been canceled or postponed and those that have opened have done so under challenging constraints. Thus, the art-market that existed before the pandemic is at a global standstill.
Manolo Valdes (b. 1942) Retrato I
Estimate: USD 120,000 - USD 180,000
Price Realised: USD 375,000
signed, titled and dated ‘Manolo Valdes Retrato I 2018’
(on the reverse) oil, mirror and fabric collage on burlap
56 x 37 in. (142 x 94 cm.)
Executed in 2018.
Christie's. SALE 19575
Virtue Online | 29 May - 12 June 2020
There is, however, one sector of the art market that is flourishing. Online sales (like much of retail in general) has picked up the pace and changing positively with the times.
As the pandemic crisis persists, art collectors, (as well as just about everyone) have been spending increasing amounts of time browsing online for all sorts of information, entertainment, and yes, acquisitions.
While it is too early for real data on online art transactions, news that auction houses have been experiencing successful online sales is encouraging.
“We don’t see this as a departure,” says Brooke Lampley, vice chairman of Sotheby’s fine art division, noting that the auction house has sold works online since 2016. Yet, the circumstances of the pandemic have “really allowed us to accelerate a program that was already in place, that we already were exploring.” (1)
Christie’s Matthew Rubinger, deputy chief marketing officer, recalls recently seeing a cartoon that asked: “Who is driving digital innovation in your company? The CMO, CTO, CEO, or Covid-19.” The obvious answer: Covid-19. (1)
THE COLLECTION OF RICHARD L. WEISMAN
Andy Warhol (1928-1987)
Chris Evert [Sixteen Works]
Estimate: USD 300,000 - USD 500,000
Price Realised: USD 735,000
each: acrylic and silkscreen ink on canvas
each: 10 x 10 in. (25.4 x 25.4 cm.)
overall: 40 x 40 in. (101.6 x 101.6 cm.)
Painted in 1977.
Christie's. SALE 19575
Virtue Online | 29 May - 12 June 2020
Covid-19 has made it an absolute necessity for auction houses, art fairs, galleries, and artists to invest heavily and rapidly on all existing digital technologies such as virtual rooms, augmented reality, direct communications with curators, experts, artists, discussion panels and all available strategies that have the potential to keeping the art market alive and hopefully thriving.
Not only have all major auction houses increased the number of online auction sales, but they have also connected with new buyers. The forced stay at home preventive measures observed for many weeks or months has also provided more time for the public, in general, to explore shopping in categories that they normally would not pay attention to.
Online-only global sales at Sotheby’s across all its categories have totaled the US $80 million year-to-date in nearly 50 sales, compared with US $20 million in 30 sales compared with last year. While Christie’s doesn’t provide total dollar figures available for its online sales this year, Matthew Rubinger, Christie’s Chief Marketing Officer expects the firm to offer more than 80 online auctions in the first half of the year through July, compared with 48 in the same period last year. Phillips didn’t have figures immediately available but said that its new accounts are up 127% this year over last, reflecting a phenomenon that officials at all the auction houses have reported. More than half the buyers at Phillips’ Desktop online auction that closed April 24—featuring the £125,000 (US $154,300) sale of Eddie Martinez’ Bay City—were new, says Charlotte Gibbs, head of online sales. (1)
To the surprise and relief of the major auction houses, their clients, and the art market in general, Sotheby’s reported that sales at their Contemporary Art Day Auction Online totaled $13.7 million on May 14, 2020. By the middle of May 2020, Sotheby’s had surpassed $100 million total online global sales, nearly 5 times the total for online sales during the same period in 2019. The auction (of May 14, 2020) saw competitive bidding, with international bidding across 35 countries and 29% of all buyers new to Sotheby’s. (2)
In our article about TEFAF (The European Fine Art Fair and Globalization) published by Art Market Magazine in February of 2016, we discussed the many enriching possibilities that the entire art market had experienced by embracing technology and noted that while information via the Internet can be disruptive, it provides a great opportunity to educate and stimulate the “old” art categories (meaning the old master paintings sector specifically). These benefits are now multiplying greatly during these challenging times. It was also noted that the importance of galleries was going to increase as the educational benefits for all new collectors were going to be of paramount importance once again.
New buyers on Sotheby’s online sale of this past May increased by 29% and demonstrates this phenomenon. Not only are auction houses, art fairs, art galleries, and museums experiencing new online visits, but this will also enable them to gather data on all new and existing participants. The identification of tastes, interests, and degree of engagement, will enable more refined and targeted marketing and the satisfaction of a thirst for information.
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