Her paintings emerge from the tradition of the 17th-century Golden Age of Dutch painting when, even then, in a time of abundance, painters used references to the ephemeral nature of the abundance and urged moral rectitude. Her finely painted flowers are juxtaposed with stylized flowers expressed in a few brushstrokes. She says, “I am very interested in creating paintings that explore both representation and abstraction. I find the debates between which approach is superior to be less interesting than the possibilities that result from combining the two art approaches. Many of my paintings juxtapose different levels of resolution in a single artwork to create a feeling of chaos or uncertainty.
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Awe and Wonder
As a child living in central Illinois, Bruce Cascia was given a Brownie camera by his father. The simple cameras were barely more than a box with a lens and a shutter release. They held film—“Two and-quarter by two-and-a-quarter,” Cascia recalls—but there was little room for bells and whistles.
Throughout her three-decade career artist, Carrie Pearce has become recognized for painting odd objects or out-of-the-ordinary scenarios that have a touch of whimsy and sentimentality.
John Tarahteeff’s paintings take you somewhere new, yet familiar. You don’t entirely know where it is, but it feels like you’ve been there before.
The Eagle Valley Land Trust, located in Eagle County, Colorado, is dedicated to preserving 2,000 acres of land every year.
Daniel Bilmes’ first New York solo exhibition opens September 18 at Arcadia Contemporary with new work that shows his growth and development.
Beginning September 10, Erin Currier of Santa Fe, New Mexico, will be showcasing a large collection of new works at Blue Rain Gallery. This includes about 12 collage paintings on panel, as well as over 20 framed, mixed media pen, marker and china marker works on archival paper.
Inside Their Worlds
Lawes was the Grand Prize award winner in International Artist magazine’s Challenge No. 123, Wildlife.
Principle Gallery presents the exhibition Disrupted Realism, curated by John Seed, featuring work by artists who are challenging and changing traditional realism.
Three years ago, Kai Samuels-Davis began preparing for his upcoming solo exhibition at Dolby Chadwick Gallery. It wasn’t until a year ago that the series of paintings began to take shape.
The Edge of a Story
One a master of jubilant color, the other of dramatic lights and darks, the works of artists Colin Page and Kim English build each other up, telling stories through brushstrokes.