Her paintings emerge from the tradition of the 17th-century Golden Age of Dutch painting when, even then, in a time of abundance, painters used references to the ephemeral nature of the abundance and urged moral rectitude. Her finely painted flowers are juxtaposed with stylized flowers expressed in a few brushstrokes. She says, “I am very interested in creating paintings that explore both representation and abstraction. I find the debates between which approach is superior to be less interesting than the possibilities that result from combining the two art approaches. Many of my paintings juxtapose different levels of resolution in a single artwork to create a feeling of chaos or uncertainty.
This story is from the August 2021 edition of American Art Collector.
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This story is from the August 2021 edition of American Art Collector.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
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GINA MINICHINO: Playing with Food
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Island Light
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Solitary Forms
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A Signature Celebration
For the full month of September, Principle Gallery hosts its 10th Anniversary exhibition at the Charleston, South Carolina, location.
