Art & Deal - July 2018
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In dit nummer
Art & Deal's July 2018 issue! This month, we feature three powerful cover stories. We begin with an extensive coverage of 'Indigenous Australia', a fascinating exhibition of the Australian Aboriginal Tribal art taking place in the NGMA, New Delhi. Paris based curator Vikas Harish adds to the multitude with his captivating take on India's oral tradition of storytelling through rural folk paintings. Curator and art historian Amit Mukhopadhyay unfolds a stunning discourse about the technical and symbolic impact of pop art on the posters produced at the Atelier Populaire during the events of May 1968 in Paris and the philosophy and significance behind the movement.
Our London correspondent Rajesh Punj reports the Abu Dhabi Festival, where he interviews renowned Sarod player Ustad Amjad Ali Khan and the likes. In addition we have correspondents reviewing exhibitions from Kolkata, Mumbai and Hyderabad.
Art & Deal Description:
Art & Deal , the Art monthly have progressively brought the best of the art world coverage from national and international art scene since 1998. Magazine has grown from its nascent stage to be a definitive international source of commentary and analysis of contemporary art & culture.
Our effort has been to offer a direct and uncompromising approach to exploring art in every aspect along with painting, sculpture, photography, print, new media, installation, cinema , books, architecture & design. A magazine with serious commitments to make art reach the homes of masses. Our fresh incisive writing not only reports on but helps to define and shape important events and trends in the art world. It provides a visually dynamic and empathetic voice to both readers, steeped in the art world and those just entering it.
Art & Deal enlightens and pampers their interest providing them intrinsic knowledge-base hence, considered to be a must-read for all art enthusiasts.
Its mission is to connect individual voice with community by exploring relationship between artists and writers and the content of their work through interview, essay, and profile. It seeks out the remote avenues of visual culture for an interdisciplinary dialogue between contemporary critical theory and art practices.
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