Gå ubegrenset med Magzter GOLD

Gå ubegrenset med Magzter GOLD

Få ubegrenset tilgang til over 9000 magasiner, aviser og premiumhistorier for bare

$149.99
 
$74.99/År

Prøve GULL - Gratis

Making SPACE

Harper's BAZAAR - US

|

November 2022

For CREATIVE PEOPLE, HOME can be a WORKPLACE, a SANCTUARY, a room with a VIEW, a PLATFORM for SELF-EXPRESSION, or a font of INSPIRATION-sometimes ALL AT ONCE. But for these ARTISTS, WRITERS, DESIGNERS, CHEFS, CHOREOGRAPHERS, and MULTITALENTED MULTIHYPHENATES, it's SOMETHING much MORE IMPORTANT: THEIR OWN.

- KAITLYN GREENIDGE

Making SPACE

JORDAN CASTEEL

The artist in the garden of the home she shares with her partner, David Schulze, in the Catskills in upstate New York

"When I'm PAINTING, it's very INSULAR. And then when I'm in the GARDEN, it's me OUT of my HEAD in so many ways. I'm just PLAYING IN DIRT. I love the TACTILE nature of it."

Making creative work means forging a divide within one's self that necessarily complicates the meaning of home. James Baldwin wrote that "the primary distinction of the artist is that he must actively cultivate that state which most men, necessarily, must avoid; the state of being alone." 

THE MARDEN FAMILY

Painters Brice Marden (far right) and Helen Marden (second from left) with their daughters, Melia (left), a chef and restaurateur, and Mirabelle (second from right), an artist and curator, in Helen's studio in the family home in Tivoli, New York

"My parents made a very COLORFUL home OVERFLOWING with INTERESTING OBJECTS, but nothing that felt too PRECIOUS." MELIA MARDEN

The thing is, when I read Baldwin on this, I don't think of this aloneness as solitary. I think of a writer like Lucille Clifton, who made her house into a refuge for civil-rights organizers and artists but also set up her typewriter on her dining-room table so that she could slip away from the chaos of the abundant, vibrant home she had created for herself to compose her poetry. She was both there and not there, at home in the world but also at home in her mind.

LISA EISNER

FLERE HISTORIER FRA Harper's BAZAAR - US

Harper's BAZAAR - US

Wildest DREAMS

There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

On PERFORMANCE

I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Holding THE STAGE

DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

LIGHT Show

LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.

time to read

5 mins

November 2025

Harper's BAZAAR - US

WHY DON'T YOU...?

As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Who Gets to Be PREPPY?

The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

CYNTHIA ERIVO Is Unstoppable

CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Leaps & BOUNDS

MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

DWANA SMALLWOOD, NOVEMBER 2000

“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.

time to read

1 min

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

SHABOOZEY

Introducing This Issue's MUSIC DIRECTOR

time to read

1 min

November 2025

Translate

Share

-
+

Change font size