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Fabulous FRIZZ
Harper's BAZAAR - US
|June - July 2023
The WAR on FRIZZ is over. Here, how LEARNING to EMBRACE your HALO of FUZZ is the secret to SEXIER SUMMER HAIR.
Frizz was my number-one enemy. I grew up thinking it was something to fight, like forest fires and the patriarchy. Frizz was too spontaneous, too uncontrollable-and worryingly influenced by the slightest suggestion of moisture (perspiration, humidity, a faulty shower cap). When I wore my natural coils, I wanted each curl to mimic a perfectly defined spiral of fusilli pasta, not tufts of cotton candy! Any serum, spray, or cream labeled "frizz-fighting" had my immediate attention.
Until the pandemic. Like everyone, I had nowhere to go and no one to see, and thus my multistep frizz-fighting regimen slipped. I let my curls live. I allowed frizz to happen. If my hair felt like erupting into a halo, so be it. I even started manipulating the frizz, scrunching it up with my fingers and creating cloudy fuzz-on purpose. The experimentation was fun, and I realized my big, bold, unstructured hair was chic.
I'm not the only one to reject frizz's bad reputation. Celebs like Tracee Ellis Ross, Zendaya, and Sarah Jessica Parker walk red carpets adorned with fabulous fluff. At Tom Ford's Spring 2023 show, models wore fuzzy hairstyles that recalled the maximalist glamour of early-'80s It girls. The thing is, frizz makes a statement: This woman-and her hair-cannot be confined, ignored, or shamed..
"It's a confident hairstyle," says hairstylist Kendall Dorsey, who creates bountiful natural looks for celebrities like Yara Shahidi and Kelly Rowland. "When you embrace frizz, it says that you're liberated, that you've stepped into the softer area of life."
Denne historien er fra June - July 2023-utgaven av Harper's BAZAAR - US.
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FLERE HISTORIER FRA Harper's BAZAAR - US
Harper's BAZAAR - US
Wildest DREAMS
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2 mins
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Harper's BAZAAR - US
On PERFORMANCE
I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.
2 mins
November 2025
Harper's BAZAAR - US
Holding THE STAGE
DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times
6 mins
November 2025
Harper's BAZAAR - US
LIGHT Show
LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.
5 mins
November 2025
Harper's BAZAAR - US
WHY DON'T YOU...?
As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!
2 mins
November 2025
Harper's BAZAAR - US
Who Gets to Be PREPPY?
The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL
6 mins
November 2025
Harper's BAZAAR - US
CYNTHIA ERIVO Is Unstoppable
CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.
10 mins
November 2025
Harper's BAZAAR - US
Leaps & BOUNDS
MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.
10 mins
November 2025
Harper's BAZAAR - US
DWANA SMALLWOOD, NOVEMBER 2000
“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.
1 min
November 2025
Harper's BAZAAR - US
SHABOOZEY
Introducing This Issue's MUSIC DIRECTOR
1 min
November 2025
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