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A PAINTER'S JOURNEY PART 3: The Studio Boat

International Artist

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February - March 2020

In this seven-part series, artist John Hulsey takes you on a visual journey through his outdoor and studio painting processes.

A PAINTER'S JOURNEY PART 3: The Studio Boat

Shortly after moving to Argenteuil in 1871, and inspired by his friend Charles-François Daubigny, Claude Monet purchased a boat that he converted to a bateau-atelier, or studio boat, so he could paint the views and reflections from out on the water. The ethereal views of the Seine, Oise and Epte rivers that he painted are some of his most loved paintings today. His example inspired me to buy a used jon boat to serve as my own modest outdoor painting studio when I work on the large pond near my studio. After a thorough scrape-down and repaint, I named the boat after my nickname for my wife: “Annabelle.” The boat is now equipped with an electric motor, oars, two anchors and a pair of swivel seats, but actually has built-in seating for five people, plus dogs. It has a flat bottom and when anchored fore and aft it is a very stable platform for painting, even in the wind. In fact, I wrote this article while sitting in my boat out on the water.

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Marshland Glow

Through glazing and scumbling, oil painter Karen Murphy manipulates her medium to create atmospheric landscapes

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1 mins

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Quiet Rhythm

Using deep shadows and a desaturated palette, Daria Antonova creates townscapes imbued with emotion

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1 mins

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To the Point

Keita Tsuji uses pointillism to heighten the color expression in his pastel paintings

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1 mins

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Change Up

Primarily a watercolor artist, Heidi Willis breaks down her approach to working with a new medium

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2 mins

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Form and Space

Alicia Ponzio's interest in human anatomy guides her sculptural works

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2 mins

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The Texture of Time

Bennett Prize winner Amy Werntz create works of art that celebrate the beauty that only comes with age

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5 mins

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Pattern making

My painting process is predominantly intuitive.

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1 min

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The Big Picture

Tony Thielen paints bold, expressive scenes by starting with the biggest shapes, then working toward the finer details

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1 mins

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Fluid Fusion

Pigments merge and create subtle gradients in Ian de Hoog's traditional wet-in-wet approach

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2 mins

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MAKING MOVES

How to pitch your work to the press

time to read

4 mins

August/September 2025

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